全景壁画的形式语言研究

发布时间：2018-03-07 16:46

本文选题：全景壁画　切入点：叙事形式　出处：《西南大学》2014年硕士论文　论文类型：学位论文

【摘要】：通常来说,绘画艺术的形式语言主要包括色彩、形状、体积、空间、质地、材料等要素。作为一种古老而年轻的绘画——全景壁画,它有着独有的形式语言。在“叙事形式”、“构成形式”与“空间表现形式”上都有着一般之上的特殊性。具体而言,首先,就全景壁画的“叙事形式”来说,在叙事题材内容的选择上,主要选择大型景观、历史事件或宗教事件、战争等重大题材为创作母体,藉由各种不同形式编排绘制,如,回转连续的叙事手法、线性递进的叙事手法等。其次,就审美与互动而言,全景壁画的展观形式也有别于其他绘画。它主要展示在固定的封闭空间内,即“全景壁画展馆”,展馆的结构型制参与了作品的形式美生成,展馆内部的模拟塑型与画面互为补充,相互融合构成完整的作品。最后,全景壁画作为一门注重空间真实再现的综合艺术,其在空间营造方面也有其独特性,除了运用一般的造型语言和空间法则,同时多媒体及其他科技手段的综合运用保障了空问营造的真实感。综上,笔者认为全景壁画的形式语言独特性主要体现在叙事形式、构成形式、空间表现形式三个方面。故,选取以上三个层次具体研究全景壁画的形式语言。并试图探索全景壁画的形式语言为现代装饰性壁画的创作提供的新的可能与思考。
[Abstract]:Generally speaking, the formal language of painting art mainly includes the elements of color, shape, volume, space, texture, material, etc. As an ancient and young painting-panoramic mural, It has a unique formal language. It has the particularity on the "narrative form", "constitutive form" and "spatial expression". Specifically, first of all, in terms of the "narrative form" of panoramic murals, In the choice of narrative content, the main choice of large-scale landscape, historical events or religious events, war and other major themes for the creation of the matrix, by a variety of different forms of arrangement and drawing, such as, turn the continuous narrative techniques, Secondly, in terms of aesthetics and interaction, the panoramic fresco is different from other paintings. It is mainly displayed in a fixed closed space. That is, "panoramic mural pavilion," the structural system of the pavilion takes part in the creation of the formal beauty of the works, and the simulated shapes and pictures inside the pavilions complement each other and form a complete work. Finally, Panoramic murals, as a comprehensive art focusing on the real reproduction of space, are also unique in space construction, in addition to the use of general modeling language and spatial laws. At the same time multimedia and other scientific and technological means of comprehensive use to protect the reality of space construction. In summary, the author thinks that the form language uniqueness of panoramic murals is mainly embodied in three aspects: narrative form, constitution form and spatial expression form. The above three levels are selected to study the formal language of panoramic murals and try to explore the new possibilities and thoughts that the formal language of panoramic murals provides for the creation of modern decorative murals.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.6

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