浅谈稚拙艺术对我油画创作的启发

发布时间：2018-03-08 04:36

本文选题：稚拙　切入点：油画创作　出处：《辽宁师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：随着科技的快速发展，相机、电脑技术的运用也相继涌入画坛。便捷的电脑操作取代了人们对艺术的沉思，超清晰的相机照片效果也逐渐使人们远离了写生的实践。一味的闭门造车式绘画方式使我们的创作步入了了无生气的境地；对创作技法以及相关艺术规律的迷恋与崇拜使绘画作品陷入了机械重复的尴尬。或许是为了迎合市场的需要、或许是我们崇尚技法的表现，，我们的创作越来越脱离自然，流露出一种一种商业的气息。油画创作应该是我们情感的升华和内心的宣泄。稚拙派的绘画作品使我对当前的油画创作产生了深深的沉思。本论文从多方面论述了稚拙派绘画对我油画创作的启发。论文第一章主要从稚拙派的起源、背景以及相关代表人物等方面简要介绍了稚拙艺术的相关概况，并对稚拙派的相关代表作品作了简单的分析。卢梭是绘画艺术史中一颗闪耀的明星，他用儿童般纯洁的心灵，描绘了一幅幅充满幻想及异国情调的伟大画作。他的作品中没有传统的技法、没有学院派的教条，在当时人眼中他的作品是怪诞并遭人质疑的，是他对艺术的无限热爱与执着造就了他的一生。第二章主要从个人角度出发，介绍了本人在油画创作过程中遇到的种种障碍，并且这些障碍不仅是在我个人创作实践中也是他人创作实践中较为常见的。本章一方面从泛化的表现手法、习惯性的思维方式、自我原创精神的缺乏等方面解析自我处于创造力障碍的状态，另一方面从缺乏自信、追求完美等方面阐述了在创作过程中的心理障碍。这一系列的障碍是我们创作中的绊脚石，它严重阻碍了我们的思想，禁锢了我们的创造能力，所以在我们的创作中，我们要有意识的关注自己的内心、尊重心灵深处最真实的感受，只有这样才能创作出有情感的作品。第三章主要阐述了稚拙作品对我油画创作的启发。首先分析了油画创作中的稚拙美、然后解读油画创作中的情感因素和创造因素、最后结合稚拙派对我的影响浅谈自己的作品并对其创作问题进行了深深的思考。总之，我认为再多的技巧也表达不出我们的情感，技巧越多我们的思维或许就会越受到限制，稚拙派的作品给了我耳目一新的感觉、激起了我创作的欲望，也让我更加尊重我在创作中的真情实感。
[Abstract]:With the rapid development of science and technology, the use of cameras and computer technology has poured into the painting world. Convenient computer operation has replaced people's contemplation of art. The effect of super-clear camera photos also gradually make people away from the practice of sketching. The blind closed-door painting style makes our creation into a lifeless situation; The infatuation and worship of creative techniques and related art laws make paintings fall into the embarrassment of mechanical repetition. Perhaps it is to meet the needs of the market, or maybe we advocate the performance of techniques, and our creation is becoming more and more out of nature. Oil painting should be the sublimation of our emotions and the catharsis of our heart. The painting works of the childish school made me deeply meditate on the current oil painting. The first chapter of the thesis mainly introduces the origin, background and representative figures of childish school, and briefly introduces the general situation of childish art. Rousseau is a shining star in the history of painting. He uses a child's pure heart. He painted great paintings full of fantasy and exotic feelings. His works, without traditional techniques or academic dogma, were regarded as bizarre and questionable by people at that time. It is his infinite love and dedication to art that has made his life. The second chapter mainly introduces the obstacles I have encountered in the process of oil painting creation from a personal point of view. And these obstacles are not only common in my own creative practice, but also in other people's creative practice. On the other hand, it explains the psychological obstacles in the process of creation from the aspects of lack of self-confidence and the pursuit of perfection. This series of obstacles is the stumbling block in our creation. It seriously hinders our thinking and impairs our creative ability, so in our creation, we must consciously pay attention to our hearts and respect the deepest feelings of our hearts. Only in this way can we create works with emotion. The third chapter mainly expounds the inspiration of childish works to my oil painting creation. First, it analyzes the childish beauty in oil painting creation, and then interprets the emotional factors and creative factors in oil painting creation. In the end, I talked about my work and thought deeply about it in the light of my influence. In short, I think that no amount of skills can express our feelings, and that the more skills we have, the more our thinking may be restricted. The works of the childish school give me a fresh feeling, arouse my desire to create, and make me respect my true feelings.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【共引文献】