谈“80后”对中国传统绘画的延续

发布时间：2018-03-08 15:33

本文选题：“80后”　切入点：传统绘画　出处：《曲阜师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：本文主要以当代“80后”青年绘画学习者如何去延续传统绘画的精神为立足点和切入点,通过对中国传统绘画由古至今的流变与“80后”自身对于中国画的学习创作及怎么样去延续进行探讨和研究,试图从受到西方影响后传统绘画的发展现状到现代“80后”对其学习所受困惑的角度去揭示中国传统绘画逐渐走向衰落、创新道路异常艰难的原因。主张“80后”在绘画创新的过程中,一定不能丢掉中国传统笔墨的优势,创新应该是在保持具有中国优良文化传统和中国民族特色的前提下进行探索和努力。 “80后”绘画学习者正处于中国画发展特殊时期的特殊地带,是值得给予关注的一个群体。多数人都曾接受过或正在接受学校的高等教育,同时也有部分人己步入社会,受到生活、工作等各方面的压力,绘画作品内容还要满足艺术品市场和大众文化的需要才能受到青睐,各方面原因可能会使“80后”一代内心压抑、矛盾冲突加大,致使创作的作品需要借用西方绘画的形式才能将现实感受表达出来。还有则是彻底脱离现实,去追求个人灵魂中才有可能追求的理想,寻求远离现实,寻求气韵、心境,尽管如此也不可能回归到古代重复古人那种笔墨意境,更多的却是把现实带给自己的心理问题放到了所创作的作品之中。创新是一个时代的精神与文化气息的体现,而“80后”的进退则关乎到中国画艺术在转型期的发展,同时也关系到自身的绘画艺术之路。所以我们“80后”一代人应该认清自我,提高自身的艺术理论与艺术修养。在作品创作中不能放弃中国笔墨的优势,在继承延续传统的基础上进行创新。同时汲取西方等外来文化的养分,推陈出新。找到适合自己的绘画之路而为之奋斗,创作出优秀的中国画作品,将中国画的传统精神延续下去。
[Abstract]:This article mainly takes the contemporary "post-80s" young painting learners how to continue the spirit of traditional painting as the foothold and breakthrough point. Through the evolution of Chinese traditional painting from ancient times to the present and the study and creation of Chinese painting by the "post-80s" itself and how to continue it, This paper attempts to reveal the decline of Chinese traditional painting from the point of view of the current situation of the development of traditional painting after being influenced by the West to the perplexity of the study of the modern "post-80s" painting. The reason why the road of innovation is extremely difficult. It is argued that in the process of painting innovation, the "post-80s" must not lose the advantages of traditional Chinese ink and pen. Innovation should be carried out on the premise of maintaining Chinese fine cultural tradition and Chinese national characteristics. The "post-80s" painting learners are in a special area in the special period of the development of Chinese painting, which is a group worthy of attention. Most of them have received or are receiving higher education in schools, and some of them have entered the society at the same time. Under the pressure of life, work, and so on, the contents of paintings must meet the needs of the art market and popular culture in order to be favored. Various reasons may cause the "post-80s" generation to suppress their hearts and increase contradictions and conflicts. The works created need to borrow the form of Western painting in order to express the realistic feelings. There is also a complete separation from reality, to pursue the ideal that only in the individual soul can pursue, to seek to be far from reality, to seek charm, mood, and state of mind. Although it is impossible to return to the ancient times to repeat the artistic conception of the ancient pen and ink, but more reality brought to their own psychological problems into the creation of the works. Innovation is the embodiment of the spirit and culture of an era, and the advance and retreat of "post-80s" is related to the development of Chinese painting art in the transition period, and also to the way of painting art itself. Improve one's own artistic theory and artistic accomplishment. In the creation of works, we should not give up the advantages of Chinese ink and pen, and innovate on the basis of inheriting the tradition. At the same time, we should absorb the nutrients of foreign cultures such as the West. To find the right way to paint and strive for it, to create excellent Chinese painting works, to continue the traditional spirit of Chinese painting.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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