当代工笔画创作中矿物质颜料应用的研究

发布时间：2018-03-08 21:21

本文选题：工笔画　切入点：创作　出处：《沈阳师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：矿物质颜料在中国古代绘画中被称为“丹青”。“丹青”一词最早是指可以被制成颜料的矿石,《说文解字》中就对“丹”和“青”进行了解释：“丹”乃为“巴越之赤石也”,即为朱砂；而“青”则为“东方色也”,指的是蓝铜矿及青金石。在中国绘画历史中,色彩一直具有重要的地位。运用矿物质颜料进行作画,曾经在历史上处于主导的地位。宋以后,人们审美意识发生变化,水墨文人画的兴起,矿物质颜料的使用日渐式微,仅存在于卷轴的青绿山水画以及部分工笔画中,不再处于画坛的主流。矿物质颜料具有稳定性及耐光性强、色彩明快且不易变色、色泽优美、透明程度差、肌理多变、发色性能好、覆盖能力强、色相美等特点。矿物质颜料随着现代科技的发展,不断产生新的品种,弥补了天然矿物质颜料在色彩上的不足。矿物质颜料的使用不仅是一种复兴,更是一种创新,它的使用适应现代绘画创作中对色彩、材质、肌理的审美旨趣的需求,同时给人以新的视觉体验。本文论述主要分为三个部分：第一部分简要阐述了矿物质颜料的概况,主要分为特点介绍与在传统绘画中运用探究：第二部分主要研究在当代工笔画中矿物质颜料的使用,分为两个小节：第一小节概述当今工笔画的发展现状,矿物质颜料可以给当代工笔画带来新活力,第二小节论述了当代工笔画中矿物质颜料使用的案例分析；第三部分重点论述笔者在创作过程中对矿物质颜料运用的一些尝试与感悟,通过以上三部分的分析以及个人创作实践,认识矿物质颜料的特点及应用前景,做好矿物质颜料的继承和发展。最后结语是对文章的总结。笔者认为,对通过对矿物质颜料的认识与实践,古为今用,探索全新的工笔绘画语言,推动矿物质颜料在工笔画中实践运用,为中国画的发展带来全新的面貌和更为广阔的表现空间。
[Abstract]:Mineral pigments called "Dan" in ancient China painting. "Dan" was the word that can be made into pigment ore on the < ShuoWenJieZi > "Dan" and "green" explained: "Dan" is "Pakistan is chishi", namely cinnabar the "green"; for the "East", refers to the blue copper and lapis lazuli. In China painting history, color plays an important role. The use of mineral pigments to paint, has been in the leading position in the history. The Song Dynasty, people's aesthetic consciousness changes, the rise of Chinese ink painting the use of mineral pigment, the decline only exists in the green landscape painting scroll and painting, no longer in the mainstream of the painting. Mineral pigment is stable and strong light, bright color and not easy to change color, color beautiful, transparent, texture and changeable, Hair color performance, covering ability, color beauty characteristics mineral pigments. With the development of modern technology, constantly produce new varieties, which makes up the shortage of natural mineral pigments in color. The use of mineral pigment is not only a kind of Renaissance, is also a kind of innovation, the use of modern painting in the creation of the the color, texture, texture aesthetic needs, at the same time to give people a new visual experience. This paper is mainly divided into three parts: the first part briefly expounds the general situation of mineral pigments, mainly divided into the introduction and features in the traditional painting by inquiry: the second part mainly studies the use of mineral pigments in contemporary fine brushwork which is divided into two sections: the current development situation of the painting of the first section introduction, mineral pigments can bring new vitality to the contemporary painting, the second section discusses the mineral of contemporary fine brushwork Analysis of pigments used case; the third part focuses on the author in the creation process of some attempts and perception of mineral pigments used, through the above three parts of the analysis and creation of individual practice, understanding the characteristics and application prospect of mineral pigments, the inheritance and development of good mineral pigment. The conclusion of the article is to summarize the author. Think of the past serve the present understanding and practice, to explore new mineral pigments, fine brushwork, promote mineral pigments used in painting practice, for the development of China painting bring a new look and more vast space.

【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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