论蒋兆和水墨人物画的造型语言与精神表现

发布时间：2018-03-08 22:08

本文选题：蒋兆和　切入点：水墨人物画　出处：《西安美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：蒋兆和先生是中国近代的优秀水墨人物画家，通过学习他的水墨人物画的造型语言，我们在表现人物的表象和精神内涵方面就有了很好地学习方法。他的这种绘画语言形成所经历的的过程是曲折而漫长的，经过长时间的探索和学习，蒋兆和归纳出了科学的一套水墨人物画教学体系，他的绘画造型体系基本可以归纳为三个阶段去理解和掌握：第一阶段“有准有则”，第二阶段“尽精刻微”，第三阶段“用笔用墨”。第一阶段要掌握的是用笔方法与观察手段，第二阶段以白描技法加以具体而丰富的表达，第三阶段是指用笔用墨应依结构去表现，有了一二两个阶段的造型基础，有了一定的写实能力，才有条件掌握水墨的形式和技法的复杂变化，有了水墨的基础，进而运用着色等形式和技法则会做到得心应手，画出自己想要的画面。然而，蒋兆和倡导要“尽精刻微”地捕捉客观对象的精神，还要作画者对所画对象的精神特征和其形象内在的思想活动有深入的了解，因为他的造型语言和精神表现二者是相辅相成，互为表里，是统一的整体，没有精神的表现则画面毫无生气；没有造型技法的运用则难以描绘具体准确。当代的水墨画家有很多人继承了蒋兆和的绘画风格，但又不完全照搬，可以说是一种发展和创新的过程，他们也在为水墨人物画的蓬勃发展做出了巨大贡献。我在学习的过程中总结了一些自己的经验，有一些见解。蒋兆和的作品所展露的是人类最至真善美的人性，是积极崇高的信仰，，体会到这样崇高的力量，不畏艰难，不屈服于命运的摆布，敢于抗争的精神，人们会对未来充满信心，看到理想的希望。
[Abstract]:Mr. Jiang Zhaohe is an excellent painter of modern Chinese ink and wash. He learns the modeling language of his figure painting. We have a good learning method in the representation and spiritual connotation of the characters. The process of his painting language formation is tortuous and long, after a long period of exploration and study. Jiang Zhaohe summed up a scientific teaching system of ink and wash figure painting. His painting modeling system can be basically summed up into three stages to understand and master: the first stage is "there is a certain principle", the second stage is "fine engraving micro-", the third stage is" using a pen with ink ". The first stage is to master the method of using pen and observation means. The second stage is concretely and richly expressed by the white drawing technique. The third stage refers to the use of pen and ink to be expressed according to the structure, with a styling foundation of one or two stages, and a certain ability of realism. Only when we have the condition to master the complex changes of the form and technique of ink can we draw the picture we want by using the form and technique such as coloring. However, Jiang Zhaohe advocated that the spirit of objective objects should be captured "as meticulously as possible" and that the painters should have a deep understanding of the spiritual characteristics of the objects and the inner ideological activities of their images. Because his modeling language and spiritual performance are complementary, each other is a unified whole, without the spirit of performance, the picture is lifeless; without the use of modeling techniques, it is difficult to describe the specific? Accurate. Many contemporary ink and water painters have inherited Jiang Zhaohe's painting style, but not completely copied it, which can be said to be a process of development and innovation. They have also made great contributions to the vigorous development of ink figure painting. I have summed up some of my own experiences and opinions in the course of my study. What Jiang Zhaohe's works reveal is the most true, good and beautiful human nature. It is a positive and lofty belief that people will have full confidence in the future and hope to see the ideal when they realize such lofty strength, do not fear hardship, do not succumb to the influence of fate, and dare to fight.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】