新工笔画中人物形象的观念性表达研究

发布时间：2018-03-11 21:31

本文选题：新工笔　切入点：人物画形象　出处：《西南大学》2017年硕士论文　论文类型：学位论文

【摘要】：自2006年“新工笔”的概念被明确提出,新工笔的各种展览活动如火如荼的进行,短短十年呈现出蓬勃的生命力及影响力。在此种背景下,本论文将新工笔作为选题内容,新工笔画中的人物形象作为主要研究对象,并针对新工笔中人物形象的“观念性”特征进行了详尽的探讨,且对此种表达方式所引发的现象进行了深入的思考和详细的论述。本文主要通过文献研究法,图像分析法及比较分析法来进行研究。通过文献研究法,搜集整理中国人物画发展史、新工笔发展历程以及新工笔对外来艺术的借鉴成分的相关资料,对整个中国人物画的发展历程进行了全面的了解,对人物画发展历程中中国画对外来文化的借鉴进行了详尽的了解,并明确新工笔对外来文化的借鉴。通过图像分析法,整理出新工笔画家作品中人物形象的风格类型,通过对其作品的具体解析,找出其绘画理念在他们作品中的体现,并做简要分析。通过比较分析法,对比研究新工笔画家作品中人物形象在探究其“观念”上的不同体现,并指出不同的新工笔画家在表达人物“观念”上的不同点。通过对新工笔中作品中出现的人物形象的梳理,将新工笔中人物形象的表达方式进行了剖析,提出了新工笔中人物形象的观念性表达方式。为此,本文一共分为三个章节来论证观点:第一章节,对新工笔中人物形象的观念性表达的形成背景进行了介绍。首先,对传统中国画中的人物表达方式进行了梳理,并对在发展过程中在不同时期的对外来文化的借鉴情况进行了详细描述及分析,并对新工笔中观念性表达方式的形成及其主要特征进行了论述。第二章节,也是本论文的重点章节。首先,是对新工笔画中人物形象的主要特征进行了概括性的描述;其次,对新工笔画中的人物形象来源做了阐述;再次,通过分析具体作品来对新工笔中人物形象的观念性的具体表达方式做出了详细的论证。主要分为:身体的秘境、肉体的隐遁、借鉴经典符号、与文本对话、跨媒界的探索五个方面。第三章节,则是对于此种表达方式的思考,主要探讨了新工笔与当代的关系、新工笔与传统的关系、新工笔中传统与当代的关系、新工笔所带来的画坛新现象以及对此种表达方式的反思。以上,便是本论文的主体内容。总的来说,本文以新工笔画中的人物形象为切入点,着重分析观念性在其画中的呈现方式,并由此种表达方式引发出对新工笔的思考。探讨了新工笔画家由观念性所影响的创作手法在当下的价值。如何在坚守传统文化底蕴的同时又能不落时代进行创新,为丰富工笔画的发展这个议题提供一个新的参考。
[Abstract]:Since 2006, the concept of "new meticulous brushwork" has been clearly put forward, and all kinds of exhibition activities of new meticulous brushwork have been carried out in full swing, and have shown vigorous vitality and influence in just ten years. The character image in the new meticulous brushwork is regarded as the main research object, and the "idealistic" characteristic of the character image in the new meticulous brushwork is discussed in detail. And the phenomenon caused by this kind of expression has been deeply thought and discussed in detail. This article mainly through the literature research method, the image analysis method and the comparative analysis method to carry on the research, through the literature research method, Collecting and arranging the history of the development of Chinese figure painting, the development course of new fine brushwork, and the relevant information of the new fine brushwork on the reference elements of foreign art, and comprehensively understanding the development course of the whole Chinese figure painting. This paper has carried on the detailed understanding to the Chinese painting to the foreign culture in the development process of the figure painting, and has made clear the new meticulous brushwork to the foreign culture use for reference. Through the image analysis method, has sorted out the new meticulous brushwork in the character image style type, Through the concrete analysis of his works, this paper finds out the embodiment of his painting idea in their works, and makes a brief analysis. Through the comparative analysis, the author compares and studies the different embodiment of the characters' images in the new meticulous painters' works in exploring their "ideas". It also points out the differences of different painters in expressing the concept of characters. By combing the characters in the new meticulous brushwork, this paper analyzes the expression methods of the characters in the new meticulous brushwork. This paper puts forward the conceptual expression of the characters in the new meticulous brushwork. For this reason, this paper is divided into three chapters to demonstrate the viewpoint: the first chapter introduces the forming background of the conceptual expression of the characters in the new meticulous brushwork. First of all, the paper introduces the formation background of the conceptual expression of the characters in the new meticulous brushwork. This paper combs the expression methods of characters in traditional Chinese painting, and describes and analyzes the reference situation of foreign culture in different periods in the process of development in detail. The second chapter, which is also the key chapter of this paper. First, the main characteristics of the characters in the new fine brushwork are described; secondly, the main features of the characters in the new fine brushwork are described. The origin of the characters in the new meticulous brushwork is expounded. Thirdly, by analyzing the concrete works, the author makes a detailed demonstration on the concrete expression of the characters' image in the new meticulous brushwork. It is mainly divided into: the secret state of the body, the seclusion of the body, and the concealment of the body. Drawing lessons from the classical symbols, dialogue with the text, cross-media exploration of five aspects. The third chapter, is to reflect on this way of expression, mainly discusses the relationship between the new meticulous brushwork and the contemporary, the new meticulous style and the traditional relationship, The relationship between the tradition and the contemporary in the new meticulous brushwork, the new phenomenon brought by the new meticulous brushwork and the reflection on the expression of this kind of expression, are the main contents of this thesis. In general, this paper takes the characters in the new fine brushwork as the breakthrough point. Focusing on the presentation of idealism in his paintings, And this way of expression leads to the thinking of the new meticulous brushwork. This paper discusses the value of the new meticulous painters' creative techniques influenced by their ideologies in the present time, how to stick to the traditional cultural heritage and at the same time to innovate without falling out of the times. It provides a new reference for enriching the development of fine brushwork.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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