论黑色的品质—对油画中黑色的探讨

发布时间：2018-03-12 07:40

本文选题：黑色　切入点：色彩类型　出处：《东北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：在绘画中，黑色一直是一种特殊的颜色，与其他颜色相比，黑色在绘画中能够充当更多的角色，起到更多的作用。西方油画当中的黑色是本文的主要研究对象。本文将从色彩学中的黑色、绘画史中的黑色和艺术理论中的黑色三个角度对黑色进行分析探讨。色彩学理论认为，在宇宙当中有一种绝对的黑色，绝对黑色是不发光物体的颜色，没有彩度，没有冷暖倾向。在现实当中，黑色是明度最低的颜色，像黑天鹅绒，木炭，焦煤等都是黑色的典型。现实中的黑色有很多种，都有着微弱的彩度，相互之间有着微弱的色相区别。黑色是收缩色，具有所有色彩中最强烈的收缩性。同样大小的面积涂成黑色后往往显得比原来更小。西方绘画注重色彩表达，从绘画它诞生之日起就一直在追求色彩观念与色彩应用的创新。在西方绘画史中，黑色走过了一条漫长而又曲折的发展道路。伴随着人们色彩观念的演进、色彩应用方式的变化。从中世纪末的的象征性色彩，到印象派的写实性与美感性色彩，再到抽像表现主义绘画中的表现性色彩，黑色的角色也在不断地改变，并且始终对于绘画有着重要的意义。黑色伴随着绘画发展的各个阶段，从古典主义到现代主义；从印象主义到抽像表现主义。在每个特殊的时期和特殊的流派中，黑色都呈现出了不同的应用方式，反映着当时的色彩观念。黑色具有强大的象征性。从古典到现代再到当代，黑色带给人们的是无尽的联想。，可以象征死亡、哀悼、权力、真理、高贵、脱俗、力量、冥想等一系列抽像的含义，本文将分析黑色与这些含义之间的内在联系。其次，黑色的品质还体现在色彩构成学中，黑色可以充当连接各种色彩的纽带；可以作为平衡各种色彩之间相互关系的媒介。参与色彩之间的相互影响、相互制约的作用，是色彩构成中的一个重要环节。在现代，，黑色又与现代主义绘画的“自我批判”和“形式简化”两大基本原则相契合。在抽像绘画中，黑色成为一种符号，带给人的是强大的悲剧色彩。给人无尽的冥想空间。而在表现绘画当中，绘画式空间有别与传统意义上的透视空间，黑色又与这种绘画空间的建立有着不可割裂的联系。
[Abstract]:In painting, black has always been a special color. Compared with other colors, black can play more roles in painting. Black in western oil painting is the main research object of this paper. This paper will analyze black from three angles: black in color history of painting and black in art theory. In color theory, there is an absolute black in the universe, absolute black is the color of non-luminous objects, no color, no tendency to warm and cold. In reality, black is the least luminous color, such as black velvet, charcoal, Coking coal and so on are typical of black. There are many kinds of black in reality, all of them have weak color, and there is a weak color difference between them. Black is a shrinking color. Has the most intense shrinkage of all colors. Areas of the same size are painted black and tend to look smaller than before. Western painting pays attention to the expression of color and has been pursuing the innovation of color concept and application since its birth. Black has gone through a long and tortuous road of development. With the evolution of people's color concept and the change of color application mode, from the symbolic color of the end of the Middle Ages to the realistic and sensual color of the Impressionism, Then to the expressive color of abstract expressionism, the role of black is constantly changing, and always has important significance for painting. Black accompanied by various stages of the development of painting, from classicism to modernism; From impressionism to abstract expressionism. In each particular period and particular school, black presents different ways of application, reflecting the color concept of the time. Black has a powerful symbolism. From classical to modern to contemporary, Black brings people endless associations, symbolizing death, mourning, power, truth, nobility, vulgarity, power, meditation and a series of abstract meanings. This article will analyze the inner relationship between black and these meanings. The quality of black is also reflected in color composition, which can serve as a link between colors, as a medium for balancing the interrelationships between colors, and as a means of participating in the interaction and restriction of colors. It is an important link in color composition. In modern times, black coincides with the two basic principles of "self-criticism" and "formal simplification" in modernist painting. In abstract painting, black becomes a symbol. It brings people a strong tragic color. It gives people endless meditation space. In the performance painting, the painting space is different from the perspective space in the traditional sense, and the black is inextricably related to the establishment of this painting space.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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