秦大虎绘画艺术研究

发布时间：2018-03-12 16:46

本文选题：秦大虎　切入点：本土画家　出处：《浙江理工大学》2014年硕士论文　论文类型：学位论文

【摘要】：虽然中国引进油画艺术至今只有百年多的历史。但油画在中国文化环境中已深受特有文化背景和社会状况的影响，向着本土化艺术的方向前行并开拓了更大的成长和发展空间。在中国油画发展中，有一批新中国刚成立时由国家培养的艺术家，他们带着深切的爱国热情，本着为“社会主义社会”服务的责任，编织出一段新中国的艺术绘画史。如建国初期到其后成为中国油画专业教育巨擎的罗工柳、董希文、全山石等，以及五六十年代国内美术院系培养出一批又一批油画专业人才，他们经历过社会主义艺术教育，深入工农兵、接受改造世界观的洗礼，对新中国的油画艺术发展有着很强的使命感，这一些画家经过绘画基础的严格训练，部分人转而在中国美术建设和发展中担当重要职责，而另一些画家则延续油画创作。在中国经济飞速发展的21世纪，他们或已步入暮年，但仍然坚持着油画创作，坚持着自己的艺术观。秦大虎就是这样一位本土画家，他本着对油画艺术的热忱，长期坚持油画创作，以自己生活的家乡的本土文化为源泉，坚持以通俗的艺术语言表达形式；以大众审美情趣为艺术表现的目标，用朴实真诚的绘画形式表达中国“民族性”文化艺术；寻找真实的中国油画发展的道路。本文所讨论的是新中国成立后所培养的画家中的一员“秦大虎的绘画艺术”，意在由个案出发，寻求本土油画家的成长及新中国油画艺术发展的轨迹，西方油画在新中国建立后与中国文化艺术交融下成长的本土画家所表现的油画艺术的价值以及在中国油画发展的方向，为中国油画的本土化发展形式提供一些借鉴的经验。本文以秦大虎“绘画艺术风格”为研究对象，通过对画家本人的采访，作品整理及收集，围绕三个方面对秦大虎的绘画历程及艺术风格进行研究，初步探讨本土画家对油画中民族绘画性的实践及发展。第一，以秦大虎的所处的50、60年代的社会文化背景入手，理清解放初期油画发展的路径，探讨画家的艺术发展历程；第二，以秦大虎不同的三个绘画发展时期的绘画风格和艺术语言的研究，从多角度分析画家的油画中“民族性”的形成；第三，，通过秦大虎的绘画艺术思想来探讨中国本土画家对“民族性”油画的实践探索。
[Abstract]:Although the art of oil painting has only been introduced into China for more than one hundred years, oil painting has been deeply influenced by the unique cultural background and social conditions in the Chinese cultural environment. In the development of Chinese oil painting, there were a number of artists trained by the state when the new China was founded, with deep patriotic enthusiasm. In line with the responsibility of serving the "socialist society", weave out a section of the history of art and painting in New China, such as Luo Gongliu, Dong Xiwen, and the whole mountain stone, who became major Chinese oil painting education giants in the early years of the founding of the people's Republic of China, And in the 1950s and 1960s, domestic art institutes and departments trained a number of oil painting professionals. They experienced socialist art education, went deep into workers, peasants and soldiers, and accepted the baptism of transforming the world outlook. There is a strong sense of mission in the development of oil painting in New China. Some of these painters, after rigorous training in the basis of painting, have taken on important responsibilities in the construction and development of Chinese fine arts. In 21th century, with the rapid development of China's economy, they may have entered an old age, but they still adhere to oil painting and their own view of art. Qin Dahu is such a native painter, he in the spirit of oil painting art enthusiasm, long-term oil painting creation, with their own native culture of the home as the source, adhere to the form of popular art language expression; Take the popular aesthetic sentiment as the artistic expression goal, expresses the Chinese "nationality" culture and art with the simple and sincere painting form; This paper discusses the painting art of Qin Dahu, one of the painters trained after the founding of New China, with the intention of starting from a case study. Seeking the growth of local oil painters and the track of the development of oil painting art in New China, the value of oil painting art expressed by local painters who have grown up with the blending of Chinese culture and art after the establishment of new China and the direction of oil painting development in China. It provides some experience for the development of Chinese oil painting. This article takes Qin Dahu's painting art style as the research object, through the interview to the painter himself, the work arrangement and the collection, carries on the research to the Qin Dahu's painting process and the artistic style around three aspects, First, starting with Qin Dahu's social and cultural background of the 1950s and 1960s, to clarify the path of oil painting development in the early liberation period, and to explore the art development course of the painter. Based on the study of the painting style and artistic language of Qin Dahu in three different periods of painting development, the formation of "nationality" in the painter's oil painting is analyzed from various angles. Third, Through Qin Dahu's artistic thought of painting, this paper probes into the practical exploration of "nationality" oil painting by Chinese native painters.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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