当代工笔重彩人物画肌理表现技法研究

发布时间：2018-03-12 15:46

本文选题：工笔重彩人物画　切入点：肌理　出处：《四川师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：“肌理”是依靠材料工具,按照一定技法所创作出来的画面效果。所以中国画独有的发展历史也表明了,利用不同性质的绢帛宣纸,配以毛笔皴擦点染、斑驳积渍制作出来的中国工笔重彩人物画,具有其独特的艺术魅力和肌理“语言”。这种绘画语言古已有之,而且被广泛运用在当代工笔重彩人物画家的许多作品中。当代工笔重彩人物画中的“肌理”不仅融合了传统“笔绘”技法,还借鉴了许多外来材料开发出许多“非笔绘”技法,表现形式多样、语言效果丰富、美感强烈,大大增强了画面的艺术性和趣味性。本文从对中国工笔重彩人物画肌理表现技法的历史发展入手,总结概述中国传统工笔重彩人物画“笔绘”肌理的传承和当代工笔重彩人物画“肌理”材料美的应用,说明两者之间是相辅相成、共同发展的关系。在实践创作中把握好“度”能更有利于表达作品的“意境”。
[Abstract]:"texture" is based on material tools, according to certain techniques created by the screen effect. Therefore, the unique development history of Chinese painting also shows that, with different nature of silk silk rice paper, with brush brush chapping point dye, The Chinese fine brushwork and heavy color figure painting produced by mottled product stains has its unique artistic charm and texture "language". This painting language has existed in ancient times. And has been widely used in many works of contemporary meticulous painters. "texture" in contemporary meticulous brushwork is not only a fusion of traditional "painting" techniques, but also a lot of foreign materials to develop many "non-brush painting" techniques. Various forms of expression, rich language effects, strong aesthetic sense, greatly enhance the art and interest of the picture. This paper begins with the historical development of the techniques of texture expression of Chinese meticulous brushwork heavy color figure painting, summarizes the inheritance of the texture of Chinese traditional fine brushwork figure painting "painting" and the application of contemporary meticulous meticulous figure painting "texture" material beauty. It shows that the relationship between the two is complementary and developing together, and it is more advantageous to express the artistic conception of the works by grasping the "degree" in practical creation.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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