自由精神支配下的勃纳尔绘画艺术

发布时间：2018-03-12 14:48

本文选题：勃纳尔　切入点：绘画艺术风格　出处：《山西大学》2014年硕士论文　论文类型：学位论文

【摘要】：皮埃尔·勃纳尔(Bonnard Pierre,1867—1947年)是19世纪末巴黎最活跃的艺术团体纳比派的代表画家,然而纳比派在艺术史上并没有存在过长的时间,随着勃纳尔的离开,纳比派也分崩离析,艺术家也分道扬镳。勃纳尔自己表示并不属于任何流派,然而其在绘画方面的成就确实有目共睹,得到了艺术界的多方肯定。论文认为,勃纳尔绘画的艺术风格的最为重要的特点就是自由,无论是在题材的选择上还是在构图、空间的表现上,还是在颜色的选择与使用的方法上,勃纳尔都能做到对于多种风格的兼容并蓄,但又不囿于某一种风格的藩篱,这使得其画作充满了勃纳尔的独特风格,而其中蕴含的自由的元素更是令人十分动容。本论文大体分为四部分,第一部分介绍了本文的创作背景、研究意义和研究方法；第二部分主要回顾了勃纳尔的生平与其艺术作品；第三部分对勃纳尔画作的题材、内容以及对于各种画派的吸收、兼顾进行了阐述,为探讨勃纳尔的绘画艺术风格作背景介绍；第四部分是本文的重点,从构图、色彩及个人情感三个方面来阐述勃纳尔的绘画艺术风格,了解自由元素在其画作中的体现。勃纳尔早期深受高更和日本浮世绘的影响,并得到印象派丰富色彩与活泼的实践精神的启发,进一步结合了印象主义的客观性与象征主义感性的基本主张。然而勃纳尔的心、画笔都是随着自己的心情和思路来流转的,无论任何流派都无法真正的改变勃纳尔自身所坚持的风格,勃纳尔总是在自己的画作中进行尝试、创新,寻求突破,因而成为了承上启下的画家,为19世纪末20世纪初的西方艺术史谱写了光辉的一页。
[Abstract]:Pierre Bonnard Pierren (1867-1947) was the representative painter of the Nabidist, the most active art group in Paris at the end of 19th century, but the Nabis didn't exist for too long in the history of art, and as Bonnard left, the Nabis fell apart. The artists also parted ways. Bonnard himself said that he did not belong to any school, but his achievements in painting were obvious to all and had been affirmed by many in the art world. The most important feature of Bonnard's artistic style is freedom, whether in the choice of subject matter, in composition, in the performance of space, or in the choice and use of color. Bonnard was able to accommodate a variety of styles, but not within the boundaries of a particular style, which made his paintings full of Bonnard's unique style. This paper is divided into four parts. The first part introduces the background, significance and research methods of this paper. The second part mainly reviews Bonnard's life and his works of art, the third part expounds the subject matter, the content and the absorption of various painting schools, and makes a background introduction for discussing Bonnard's painting style. Part 4th is the focus of this paper, from three aspects of composition, color and personal emotion to explain Bonnard's painting style, to understand the free elements in his paintings. Bonnard was deeply influenced by Gauguin and Japanese Neoch paintings in the early days. Inspired by the rich colors and lively practical spirit of the Impressionists, it further combines the objectivity of impressionism with the basic idea of sensibility of symbolism. However, Bonnard's heart and paintbrush flow along with his own mood and thinking. No school can really change Bonnard's own style. Bonnard always tries, innovates, seeks breakthroughs in his paintings, and thus becomes a painter of the past and the following. Wrote a glorious page for the history of western art in the end of 19th century and the beginning of 20th century.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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