关于花鸟画色彩因素的思考

发布时间：2018-03-14 11:24

本文选题：花鸟画　切入点：色彩　出处：《中央美术学院》2014年硕士论文　论文类型：学位论文

【摘要】：花鸟画的色彩发展，最早在彩陶上就有所表现，传统的彩陶上出现的花鸟形态的色彩是力求贴近自然生活的，表达了古人对色彩的初步认识；之后我们可以从魏晋南北朝时期的墓室壁画中看到花鸟题材的作品，这种赋彩是先民在劳动过程中总结出来的，虽没有多少彩色的变化，但是这种一定程式的赋色习惯却成了传统中国画中一个不可分割的特色。所以，“研究中国绘画艺术的色彩问题，最早最直接的材料，当推南齐谢赫‘六法’中的‘随类赋彩’及南朝宋·宗炳的‘以色貌色’。”无论是“随类赋彩”还是“以色貌色”都说明先民最早的赋色方式都是以遵循自然规律为基准的。唐代是色彩发展的高峰期，色彩表现富丽堂皇，单纯却又精美，是最精于赋彩的时代。五代时期，赋彩还沿袭着之前的方法，出现了“黄家富贵，徐熙野逸”的审美观。宋元时期，文人画家崇尚水墨效果，对颜色的使用，越来越少，老子提出“知白守黑”，认为黑白是一种返璞归真的美，也是文人画家以黑和白为画面主调的精神原因。这种以水墨为主的绘画方式一直延续到明清时期，但在明清我们又重新看到了色彩的运用，清代到近现代对色彩的运用反而更加多样化了，如恽南田、赵之谦、任伯年、吴昌硕等等，，都给我们后人留下了很多的范例。
[Abstract]:The color development of flower and bird painting was first shown on the painted pottery. The color of the flower and bird form appeared on the traditional painted pottery tried to be close to the natural life, which expressed the ancient people's preliminary understanding of the color. After that, we can see the works of flowers and birds in the murals of the tombs of the Wei, Jin, Southern and Northern dynasties. This kind of painting was summed up by the ancestors in the process of labor, although there was not much change in color. However, this pattern of color painting has become an inseparable feature of traditional Chinese painting. Therefore, "the earliest and most direct material for the study of the color of Chinese painting art, When he 'six methods' in the Southern Qi Dynasty and Song Dynasty Zong Bing's color and color, both "along with the class" or "with color and color" show that the earliest color patterns of the ancestors are based on the natural law. The Tang Dynasty was the peak period of color development. The color performance was magnificent, simple but exquisite, and it was the best at the times of Fu. During the five dynasties, Fu Fu followed the previous method and appeared the "Huang Jia grandeur," During the Song and Yuan dynasties, the literati painters advocated the effect of ink and wash, and used less and less color. Laozi proposed that "knowing white and defending black", believing that black and white is a kind of beauty that goes back to nature. It is also the spiritual reason for literati painters to use black and white as the main tone of the painting. This kind of painting method, which is based on ink and water, lasted until the Ming and Qing dynasties, but in the Ming and Qing dynasties, we saw the use of color again. The use of color in the Qing Dynasty to modern times has become more diversified, such as Yun Nantian, Zhao Zhiqian, Ren Bonian, Wu Changshuo, and so on, all of which have left us many examples for future generations.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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