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浅析中国当代油画形式语言的平面化

发布时间:2018-03-14 13:29

  本文选题:平面 切入点:立体 出处:《天津美术学院》2014年硕士论文 论文类型:学位论文


【摘要】:形式语言是构成绘画作品最重要、也是最为先声夺人的因素,是画家思想情感转化为具体表达方式的重要组成部分。随着时代发展和观念的转变,油画的形式语言也变得愈加丰富,本文主要是通过对传统绘画形式中的立体空间表现与当代油画中二维平面的语言表现形式进行对比分析,结合当代油画形式语言平面化的发展背景与自己的创作,,不断探索和实践,尝试将原本看似对立的两种语言形式进行融合与统一,并试图找到结合两种语言的绘画风格,为丰富绘画语言的艺术形式做出努力。 本篇论文共分三个部分:第一部分,油画形式语言概述。主要阐释绘画形式语言的意义与作用。第二部分,油画形式语言的立体与平面。这一部分通过对两种不同的形式语言进行对比,分析了平面与立体两种语言在结构与空间表现上的特征。第三部分,个人艺术实践与理论研究。分析了中国当代油画发展现状及时代背景,从色彩与空间关系的处理、线在创作中的运用、平面化的形式语言存在的问题等方面进行论述,将理论与实践相结合。
[Abstract]:Formal language is the most important factor that constitutes the painting works, and it is also the most pre-eminent factor. It is also an important component of the painters' ideological and emotional transformation into the concrete expression. With the development of the times and the change of ideas, The formal language of oil painting has become more and more abundant, this paper mainly through the traditional painting form of three-dimensional space expression and contemporary oil painting in the two-dimensional plane language expression form to carry on the comparative analysis. Combining with the development background of the contemporary oil painting form language planarization and their own creation, the author tries to combine and unify the two language forms which appeared to be opposite, and tries to find the painting style which combines the two languages. To make efforts to enrich the artistic form of painting language. This thesis is divided into three parts: the first part is an overview of the formal language of oil painting, which mainly explains the meaning and function of the formal language of painting. The second part, This part analyzes the features of the structure and space of the two languages by comparing the two different formal languages. Personal art practice and theoretical research. This paper analyzes the development of contemporary Chinese oil painting and the background of the times, discusses the relationship between color and space, the application of line in creation, the problems existing in the flat formal language, and so on. Combine theory with practice.
【学位授予单位】:天津美术学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J213

【参考文献】

相关期刊论文 前1条

1 蒋跃;;简论绘画的视知觉与空间建设[J];新美术;2007年06期



本文编号:1611418

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