画法无定法绘象外之象

发布时间：2018-03-14 19:06

本文选题：法无定法　切入点：象外之象　出处：《吉林大学》2014年硕士论文　论文类型：学位论文

【摘要】：如今的时代日新月异，各种各样新的生活方式融入我们的世界，不单是艺术，还有很多事情都没有固定不变的模式可寻，已经变成多元化，，我们努力追求的就是传承之后的创新，用眼睛去观察自然，用心去领悟自然，做到专注、静心，画笔就是表达自己内心世界的一种工具和方式。更不要为前人笔法、墨法和构图所限制住，本文中笔者提出“画法无定法，绘象外之象”这个论题，其目的就是通过对“画法无定法，绘象外之象”渊源及目的进行考证，并通过自身的绘画实践为该论题求得其具备现实意义的可能性。那么什么是“画法无定法，绘象外之象”呢？我这里说的“法”是什么呢？笔者以史为鉴梳理考证，对法与象的概念以新的理解。“法”就即方法或规矩，是人定的规矩。“无定法”就是没有死的规矩，关键是法自然，自然是最大的法。观自然之法，师法于自然，打破常规定法，通达自然之心象，绘心中之物象。通贯古今中西去看，艺术是无国界的，方法是有区别，形式有不同，但是“象”是通的。由“法”到“象”。方法到最后追求的就是自然，达到绘画的目的，营造心中之象。所有的方法都是为象（具象）而服务的，而象又是为象（心象）服务的。第一个象指的是具象的自然，第二个象是观自然后所寄托的心象,此乃“象外之象”！在绘画创作中，艺术家本身是一个非常重要的艺术创作主体。如果艺术家首先有一个恒然的、自然的、超然的艺术境界，那么他的绘画作品才有可能是一个超然的艺术作品。绘画作品本身就是艺术家的所说的“语言”，“话”由心生，“画”有心生，也就是“象”由心生。艺术家的作品就是艺术家心象的流露，你有了这种境界再去传达一个东西给观者时才会产生灵魂上情感上的共鸣。古今中外的绘画大师们的每一幅旷世之作都是在自然与自我之间筑成的美丽而永恒的桥梁。文章第一部分首先介绍了有关笔者提出的“画法无定法绘象外之象”在古今相关文章画论中的梳理与研究。在张大千的画中我们看到了他对艺术的执着，他的画面我们能感到很强的自由感，他“师古”、“师造化”、“师心”他已经触碰到了画境“自由”的边缘了，所以他就是他画面的造物主，可以在画面上随心所欲，无法无天的任凭自己的心境自由的驰骋赵无极说：“遵规守矩不是创作”。与本文阐述的“画法无定法”不谋而合，绘画就是不断地“立规矩”与打“破规矩”的过程。不同的内心情感与画面意境的表达才造成了造型艺术手法的多样性,它是吴冠中所说的：“只求效果,不择手段,即择一切手段”艺术思想的体现。无论材料是奔腾的水墨，是图晕的丹青，是驰骋的油彩；无论笔力是雄健，是浑厚，是苍润；无论赋彩是浅绛，是晕染，是没骨，是厚涂；无论技法是层层施彩，是简笔勾勒，是工写结合，是大笔皴擦，形色聚散之间饱含诗情动静相生之神采斐然。不管载体是册页，是扇面，是立轴，是长卷；不管基底是纸，是绢，是墙面，还是画布；不管美感是旷奥，是空净，是渺远，是清奇，全然使狂风骤雨倏转为彩云明霞，映现出画者与生活的圆融无界，体现出创作应葆有的纯净内在的“法”与“象”的真谛。
[Abstract]:Nowadays all kinds of new change rapidly, lifestyle into our world, not only is the art, there are many things that have no fixed pattern to be found, has become diversified, we strive for is to pass after the innovation, use the eyes to observe nature, mind nature, do focus, meditation. The brush is an expression of tools and methods of their own inner world. Not for previous brushwork, ink and restrict the composition of this paper, the author put forward the "painting is not fixed, painted image" of the subject, the purpose is to "painting is not fixed, painted image" the origin and purpose of the research, and obtained the possibility to have practical significance for the thesis through the practice of painting itself. So what is the "painting is not fixed, painted image"? What is this "law" to the author? History as a mirror combing research, the concept of law and the like in a new understanding. "Law" is a method or rules is rules. "No way" is not dead rules, the key is the natural law, natural law is the largest. The concept of natural law, natural law to break the normal procedure. The law, access to natural imagery, images painted heart.
To see through the ancient and modern, art is without borders, the method is different, forms are different, but the "image" is a pass. From "law" to "like". To the end is the pursuit of nature, to achieve the purpose of painting, creating a heart like. All methods are like (image) and the service, and the like is like (like heart) service. The first image refers to the figurative nature, second as is his view of natural after heart like, this is the "image"!
In the painting, the artist is a very important subject in the artistic creation. If the artist first have a constant natural, natural and supernatural realm of art, then his painting is likely to be a transcendent works of art. The painting itself is the art of home said "language". "Words" from the heart, "painting" it is born, that is "like" from the heart. The artist's works is the artist heart like the show, you have a soul on the emotional resonance of this realm will have to convey something to the audience. The ancient and modern Chinese painting masters in every a tour de force are built in self and nature between the beautiful and eternal bridge.
The first part introduces the author "painting is not fixed painted image" in the ancient and modern painting in the article combs and studies.
In Zhang Daqian's paintings we saw his dedication to the art, his picture we can feel a strong sense of freedom, his "old master", "nature", "the normal heart" he has touched the edge of the painting "freedom", so he is the creator of his painting, can be arbitrary in the picture on my own mood, lawless free
Zhao Wuji said, "obeying rules is not a creation". It coincides with the "undetermined method of painting" that is described in this article. Painting is the process of constantly making rules and breaking rules.
The expression of different inner feelings and artistic conception results in the diversity of modeling techniques. It is the embodiment of Wu Guanzhong's idea of "only effect, by means of any means, or by means of all means".
Whether the material is rushing ink is halo is painting, paint strokes are both gallop; is vigorous, vigorous, is pale; regardless of color is light purple, is blooming, is ", is a thick coating; both techniques are layers of colour, is simply outlined, is the combination of writing, is a large brush, color and full of poetic expression between the great movement of students.
Whether the carrier is the album, is a fan, is vertical, is long; regardless of base paper, silk, wall, or canvas; regardless of beauty is broadnessconcealment, empty net, is boundless, is elegant, the evanescent into cloud wild storms completely reflect Mingxia, painting and life harmony embodies the unbounded. The creation should be "pure intrinsic" method "and" like "the true meaning.

【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J204

【参考文献】

画法无定法 绘象外之象

画法无定法绘象外之象