当前位置:主页 > 文艺论文 > 绘画论文 >

从情愫天山创作说天山山水画

发布时间:2018-03-14 21:03

  本文选题:新疆山水画 切入点:情愫天山 出处:《新疆师范大学》2013年硕士论文 论文类型:学位论文


【摘要】:以对于情愫天山系列创造过程为主题,运用对新疆山水画的发展、当代天山主题名家作品分析和技法研究的方法,对情愫天山和创作思路和技法进行了系统、深入的比较分析,并提出了具有一定独创性的观点和思路。通过分析当代天山主题名家作品分析和技法发展过程,指出新疆山水画是一种特色的山水画风格形式有其鲜明特点和特殊地位;通过对当代天山主题名家作品分析和技法的考察,揭示了当代新疆山水画的技法特点风格,形式和构成的多样化,分析了通过当代天山主题名家作品分析和技法的分析和学习对于新疆山水的发展和对于笔者创作情愫天山系列创作的过程的实践和领悟。认为要借鉴当代天山主题名家作品分析和技法,以及结合自身的创作技法特点;从写意山水融合部分写实风格描述天山秀美风光和体现天山精神品格,并指出情愫天山系列创作的缺点和不足。对于邓维东和周尊圣的作品技法分析,借鉴古代众名家的作品,结合自身的创作风格,,分析了情愫天山系列创作中,构思、创作的发展进行过程。
[Abstract]:Taking the creation process of Tianshan series as the theme, using the methods of the development of Xinjiang landscape painting, the analysis of contemporary Tianshan theme masterpieces and the research of techniques, this paper makes a systematic and in-depth comparative analysis of the feelings of Tianshan and its creative ideas and techniques. The author points out that Xinjiang landscape painting is a unique style of landscape painting with its distinctive characteristics and special status by analyzing the analysis of contemporary Tianshan theme masterpiece works and the development process of techniques. Through the analysis of contemporary Tianshan theme masterpieces and the investigation of techniques, this paper reveals the diversity of the styles, forms and composition of contemporary Xinjiang landscape paintings. This paper analyzes the practice and understanding of the development of Xinjiang landscape and the process of the author's creation of Tianshan series through the analysis and study of the works and techniques of contemporary Tianshan monographers. The author thinks that we should learn from the contemporary Tianshan masters. Analysis and techniques of masterpieces, And combined with their own creative techniques and characteristics, from the freehand landscape blending part of realistic style description of the beautiful scenery of Tianshan and reflect the spirit of Tianshan character, It also points out the shortcomings and shortcomings of the Tianshan series. For the analysis of the techniques of Deng Weidong and Zhou Zongsheng, drawing lessons from the works of ancient masters and combining with their own creation style, this paper analyzes the conception in the creation of the Tianshan series. The process of development of creation.
【学位授予单位】:新疆师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前5条

1 贾方舟;从“西部题材”到“西部精神”[J];美术观察;2001年12期

2 刘玉社;;关于构建新疆大山水画理论体系的思考[J];石河子大学学报(哲学社会科学版);2007年01期

3 崔谷平;;新疆地域特色及其造就的边塞国画家[J];新疆艺术学院学报;2003年03期

4 古丽娜尔,史晓明;画家舒春光访谈[J];新疆艺术;2000年02期

5 王永彬;;天山红:周尊圣心象的着陆点[J];中外文化交流;2006年08期



本文编号:1612901

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1612901.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户ae280***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com