齐白石“五出五归”远游对其绘画创新的影响

发布时间：2018-03-20 20:51

本文选题：齐白石　切入点：远游　出处：《江南大学》2017年硕士论文　论文类型：学位论文

【摘要】：齐白石是二十世纪中国最负盛名、最具有创造性和影响力的一位艺术大师,他在诗、书、画、印这四个方面具有极高的造诣。在近一个世纪的漫长生涯里,他不断探索创新,开创了新一代写意中国画的新浪潮。从20世纪50年代以来,对齐白石的研究,不论在国内还是在国外,一直都是美术史研究的经典课题,但是针对齐白石“五出五归”远游对其绘画创新的影响的研究却不常见,鉴于此,本人通过查阅有关齐白石的资料,提炼出四大模块并展开论证。即(1)远游之前的社会影响、远游的背景以及远游的内涵。这一部分主要是梳理他早期的经历,一次偶然,也是最重要的机会他认识了郭葆生和夏午诒,从此开始他的远游之路。(2)通过齐白石远游期间看到的前人作品,远游期间所作的画与远游期间对大自然的真实体验,远游与之后“衰年变法”之间的联系,最终引出齐白石的“衰年变法”。(3)对齐白石三个不同时间段的绘画进行分析。齐白石在远游之前受胡沁园等人的影响,主要是以工笔人物画为主,笔墨清新整齐,用工笔写实的技法,把人物的每一个细节都刻画的惟妙惟肖,体现出他敏锐而细致入微的观察力;从远游开始,随着眼界的开阔以及陈师曾等人的影响,齐白石开始改变画风,由工笔过度到写意,作品无论是构图和造型上,还是用笔和墨色上,都精心布局,体现出一种空间的平深高远之感,富有新意,画面单纯简洁;至晚年,齐白石的绘画已趋于稳定,创造了独树一帜的大写意花鸟画,打破了传统中国画的绘画常规,他大胆使用大红大绿,自创了“红花墨叶”一派。(4)齐白石绘画上的创新以及“五出五归”与齐白石绘画创新上的联系。五次远游使齐白石在人际交往,思想境界和绘画创作等方面都得到了提高,在此基础上,这一部分又从绘画创新理论上、绘画创新实践上、表现题材上来加以分析,从而引出齐白石“五出五归”远游对其绘画创新的影响。远游影响着齐白石的绘画与创新,也给当代一部分应用“图像写生”进行创作的画家以启示。他的绘画以其淳朴的民间艺术风格与传统的文人画风格相互融合,以雅俗共赏的形式真切的表达了中国人民的思想感情,并从侧面反映出20世纪艺术风格的新追求,达到了现当代中国绘画的最高峰。
[Abstract]:In 20th century, Qi Baishi was one of the most famous, creative and influential artists in China. He had great attainments in poetry, books, paintings and printing. During his long career of nearly a century, he continued to explore and innovate. Since 1950s, the study of Qi Baishi, both at home and abroad, has been a classic subject in the study of art history. However, it is not common to study the influence of Qi Baishi's "five out five Gui" distant tours on his painting innovation. In view of this, I have abstracted four major modules and demonstrated them by consulting the relevant information about Qi Baishi. That is, the social impact before the distant tour. The background and connotation of a long trip. This part is mainly to sort out his early experiences, a chance, and the most important opportunity for him to get to know Guo Baosheng and Xia Wuyi. From then on, he began to visit the road. 2) through the works of predecessors seen during Qi Baishi's long trip, the paintings made during the long trip and the true experience of nature during the long journey, the connection between the distant tour and the later "declining year reform". Finally, it leads to Qi Baishi's "bad year reform.") it analyzes three different periods of paintings of Qi Baishi. Before visiting the distant region, Qi Baishi was influenced by Hu Qinyuan and others, mainly by meticulous brushwork, clean and tidy brushwork, and neatly brushwork. With the technique of meticulous realism, every detail of the character was depicted vividly, reflecting his keen and meticulous observation; from the beginning of the distant journey, Qi Baishi began to change the style of painting with the broadening of his horizons and the influence of Chen Shizeng and others. From meticulous brushwork to freehand brushwork, the composition and modeling of the works, as well as the pen and ink color, are carefully laid out, reflecting a sense of space, deep, deep and distant, full of new ideas, simple and simple; in later years, the painting is simple and concise. Qi Baishi's painting has tended to stabilize, created a unique large freehand brushwork flowers and birds painting, breaking the traditional Chinese painting routine, he boldly used big red and green, The innovation in the painting of Qi Baishi and the relationship between the "five out of five Gui" and the painting innovation of Qi Baishi. Five trips to the far distance have improved Qi Baishi in the aspects of interpersonal communication, ideological realm and painting creation, etc. On this basis, this part is analyzed from the theory of painting innovation, the practice of painting innovation, and the theme of expression. Thus, the influence of Qi Baishi's "five out five Gui" tour on his painting innovation is brought forward. The distant tour affects the painting and innovation of Qi Baishi. It also gives inspiration to some contemporary painters who use "pictorial sketches" to create their works. His paintings, with their simple folk art style and traditional literati painting style, are intermingled with each other. It truly expresses the Chinese people's thoughts and feelings in the form of elegance and common appreciation, and reflects the new pursuit of artistic style in 20th century, which has reached the peak of modern and contemporary Chinese painting.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【相似文献】