论纳比画派色彩表现对套色木刻版画的借鉴和运用

发布时间：2018-03-20 20:59

本文选题：纳比画派　切入点：套色木刻版画　出处：《哈尔滨师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：对于此篇论文的写作是在创作套色木刻版画的过程中，在色彩表现上遇到了困惑，通过研究和学习，发现纳比画派油画的色彩和表现方法与套色木刻版画很相似，有很多共同的地方可：包括概括、用色少、装饰性等特点，而且不同于以往的一些版画作品的用色，只是很客观地再现画面；纳比画派的作品中所表现的色彩更多的体现着画家主观情感的传递和表现，因此我比较喜欢纳比画派对于颜色的运用和把握。于是对纳比画派的色彩表现产生了浓厚的兴趣，因此我研究的方向主要是通过自身的创作体验感受、情感融入画中色彩表现的研究，并结合自己创作的切身感受，想要表现出纳比画派色彩表现形式及方法对于套色木刻色彩创作的借鉴和运用。根据以往看书的经验还有吸取的教训，我没有把纳比画派画家个人的生平还是他的作品做一个详细的记录或者是介绍，因为这些都是已经耳熟能详的了，不想要大家在开始就有一种千篇一律的感觉，所以我在第二章里简单介绍了纳比画派画家生平追求的主要的艺术表现理念，让大家能够直接明了的认识纳比画派及其色彩理论，以及从参加的艺术组织和活动，我们可以发现画家为提高自己的艺术表现能力在各个方面都进行过相当大的努力和尝试，之后形成了纳比画派的这种独特的艺术表现风格，让后人可以在其中学习和感悟。在第三章里介绍了画家博纳尔和维亚尔的色彩表现在追求油画的内外意义的体现，在画面中可以看到画家将色彩的组织和构成发挥到了让人在观赏之后能够引起内心的反思，让欣赏者在其中仿佛回味无穷着魔了一般，而纳比画派画家之所以喜欢在画面上进行思想的驰骋飞越，是因为他们不同于其他流派的个性追求和个性表现，他们的画面表现深受高更和日本浮世绘版画的影响等等艺术流派的优点加以综合，使他们的画面有一种音符般的韵律存在。第四章里我介绍了纳比画派色彩表现观念对于套色木刻版画创作的影响意义以及可以借鉴和吸收的方面，从主观性、平面化、装饰性等绘画元素对套色木刻版画的影响以及色块艺术表现形式上的影响来阐释说明，解读了纳比画派大师油画中的形式韵律等如何传递表现性的情感，，在分析过程中加入了一些我自己的浅薄的理解，和我在学习纳比画派后面对创作时的经历和感悟。
[Abstract]:For the writing of the paper is in the process of the creation of chromatic woodcut in the color performance encountered confusion, through research and study, found that the color of the oil painting and painting Nabi performance method and chromatic woodcut is very similar, there are many common places including: generalization, color, decoration and other features. Unlike some previous use of color prints, just reproducing the picture objectively; the Nabi painting color in more embodies the artist's subjective emotion transfer and performance, so I love painting Nabi for the use and the color. So interested in painting color Nabi therefore, I feel the main direction of research is through its own creative experience, study the emotion into the painting color performance, combined with his personal experience, want to show Nabi The expressive forms and methods of the color school are used for reference and use of the color creation of the color woodcut.
According to the previous reading experience and lessons learned, I didn't take the life of the individual or the Nabi painters of his works to do a detailed records or reports, because these are all the don't want everyone for having heard it many times, at the beginning there is a same feeling, so I simply introduced in the second chapter Nabi painters pursue the main artistic life philosophy, so that we can directly know the Nabi School of painting and color theory, and from art organizations and activities to participate in, we can find artists to improve their artistic ability in all aspects of efforts and attempts to quite large, after the formation of the Nabi painting unique artistic style, so that future generations can be in learning and comprehension. In the third chapter introduced artists Bonnard and Vuillard in color The meaning of the painting embodies the pursuit of inside and outside, in the picture you can see the artist color organization and composition to the people to be able to cause inner reflection after watching, so enjoy the as if possessed and lead a person to endless aftertastes, Nabi painters in the picture of love is thought gallop over, because they are different in other schools the pursuit of individuality and personality, by their picture of the performance of Gauguin and Japanese Ukiyo-e prints and so on advantages of art schools to be integrated, so that their picture there is a note like rhythm. In the fourth chapter, I introduced the concept of performance influence for color painting Nabi chromatic woodcut creation and you can learn and absorb from the aspects of subjectivity, flat, decorative painting elements of chromatic woodcut and color art show Form the impact to the explanation and interpretation of the painting masters of painting in the form of Nabi rhythm and how to transfer the performance of emotion, added some of my own superficial understanding in the process of analysis, and I am learning to school behind the creation of the Nabi experiences and insights.

【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

【共引文献】