中国传统水墨元素在现代插画艺术表现中的应用

发布时间：2018-03-21 12:25

本文选题：中国传统水墨元素　切入点：现代　出处：《山东大学》2014年硕士论文　论文类型：学位论文

【摘要】：水墨画艺术在我国有着悠久的历史和优良的传统,千百年来,薪火相传,代有佳作。这种运用黑白两色和干湿浓淡的效果来表达创作者内心世界的艺术表现形式,最富有民族特色且为大众所喜闻乐见。随着当前全球一体化进程的不断加快和数字媒体技术的迅猛发展,中国现代插画艺术在讲究审美和实用性统一的前提下,呈现出“多元”发展的态势和争奇斗艳的局面。其突出地表现特点是：除了具有传统插画说明和解释文字的功能之外,更多的则侧重于表达作者的直观感受和主观意念。从材料应用和制作技术层面来看,载体与传播手段的不断更新,愈使得插画艺术的发展空间持续拓宽,大有从绘画与设计中独立出来的趋势。作为现代视觉传达的重要媒介之一,不仅是商业用途的插画,许多独立插画作品也被广泛运用到现代生活的各个领域。从传统的图书、杂志、海报,到摄影、平面媒体甚至动态媒体的许多领域,现代插画正呈现出-种前所未有的繁荣景象。但是,自上世纪中国实行改革开放以来,经过三十年多年中西文化的频繁交流,中国现代插画艺术形式也发生了显著的嬗变。由于西方流行艺术的影响,使得中国插画创作者的价值观念和审美情趣发生很大转变,导致许多艺术家盲目崇拜甚至大量模仿抄袭国外的插画风格,而这些作品并非符合中国大众的审美需求,有些只能算是国外艺术家创作思想的翻版,其作品亦带有明显复制的痕迹。加之中国现代插画市场的法规制度与管理的不完善,尤其是网络信息技术的发展,又导致了大量质量拙劣、价格低廉、表现形式苍白无力、内容缺少深刻文化内涵的“精神快餐”的泛滥。针对当前这种中国现代插画艺术既丢失传统,又缺少创新的窘境,探索具有中国传统民族特色插画艺术发展之途径,无疑是摆在我们面前亟待解决的重要课题。本课题的缘起,是在本人查阅相关的研究资料时发现,多数既有成果仅停留在对技法上的阐述,而缺乏系统性,故而将中国传统水墨画与现代插画设计完美结合作为本文研究的重点,通过对民族传统水墨元素在插画中运用状况的审视与梳理,注重传统文化的传承和发展。本文的写作首先在于厘清研究思路,阐述完整设计过程,并且结合自己所学专业知识及积累的创作实践经验,从设计思路的拓展入手,进而在设计理念上追求中国本土特色、与中国传统文化的结合,再到技法上对传统水墨画的借鉴,最后探索现代技术在水墨插画设计中的运用。以期为该领域的发展提供借鉴。
[Abstract]:Painting art in China has a long history and a fine tradition of Chinese painting, for thousands of years, passing the torch, on behalf of a masterpiece. The use of black and white and dry bias to express the effect of the creators of the inner world of art forms, the rich ethnic characteristics and that the public like smell. With the rapid development of the global integration process the accelerating and digital media technology, Chinese modern illustration art in the premise of exquisite aesthetic and practical unity, showing a "multiple" trend of development and flourish situation. Its outstanding performance is: in addition to traditional illustration and explain the function of the text, more focus on the expression of the author intuitive feelings and subjective ideas. From the material application and production technology level, means of vector and dissemination of constantly updated, making more space for development of illustration art continued to expand There is wide, independent from the painting and design trend. As one of the important media of modern visual communication, is not only a commercial illustration, many independent illustrations have been widely used in various fields of modern life. From traditional books, magazines, posters, photography to many fields, and even dynamic print media the media, the modern illustration is showing a hitherto unknown prosperity.
However, since the last century Chinese reform and opening up, after thirty years of frequent exchanges between Chinese and Western culture, Chinese modern illustration art form has undergone significant changes. Due to the influence of western pop art, the concept of value Chinese illustrator and aesthetic interest changed greatly, leading to many artists blind worship or even a large number of plagiarism the illustration style, and these works are not meet the aesthetic needs of the public Chinese, some can only be regarded as foreign artists thought replica, whose works have obvious traces. In addition to copy regulations and management Chinese modern illustration market is not perfect, especially the development of network information technology, has led to a large number of quality poor, low price, feeble form, flooding the content of the lack of profound cultural connotation of "spiritual food" in view of the current. The art of illustration in China not only loses its tradition but also lacks the dilemma of innovation. Exploring the way to develop the illustration art with Chinese traditional characteristics is undoubtedly an important topic to be solved before us.
The origin of this topic, the relevant research data is found in my review, most existing results only in the skill of the exposition, and lack of system, it will China traditional ink painting and the perfect combination of modern illustration design as the focus of this study, based on the traditional ink elements by examining and combing the situation in the illustration, pay attention to the inheritance and development of traditional culture. This article first is to clarify research ideas, the whole design process, and combine their professional knowledge accumulation and creation experience, starting from the development of design ideas, and the pursuit of China local characteristics in the design concept, combining with Chinese traditional culture. The techniques of traditional ink painting for reference, and finally explore the use of modern technology in ink illustration design. In order to provide a reference for the development of the field.

【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5

【参考文献】