“山中草,石间生”—试论贵州新生代油画的漂流与回溯
发布时间:2018-03-21 12:29
本文选题:新生代 切入点:本土艺术 出处:《西南大学》2014年硕士论文 论文类型:学位论文
【摘要】:“新生代”是当代社会化过程中的一个新兴群体,出现于二十世纪90年代以后的,他们成长在中国社会与文化的转型期,在文化思想上自由、开放、包容,善于接受外来新型事物。他们在传统艺术面前表现自信,大胆革新,以一种与传统美术格格不入的色彩思维方式踏上了中国当代艺术的舞台,并受到美术各界的关注。当今时代,各种异彩纷呈的大众文化、通俗文化、消费文化当道,占据了广大公众(尤其是新青年一代)生活空问,其中,艺术家群体在各种流行文化的影响下,在艺术创作和艺术审美上也悄然的发生改变,表现为与中国传统的、地域的、民族的“本土”独特性越来越远的艺术观念。甚者,有的艺术家在利益的驱使下为了迎合市场口味,不惜放弃自我文化根基。在当代艺术市场上呈现出一种中国传统精英艺术日渐衰落,本土优秀艺术作品被漠视,甚至淡出公众视野。“新生代”作为一群刚刚走出美院校门的年轻艺术家,往往面对变幻无常的艺术市场而不知所措,或者深陷其中,从而迷失自我。本论文试图以贵州当代油画的发展脉络为索引,以贵州“新生代”艺术群落为研究对象,以小见大,发散性思维的方式探讨“山中草,石间生”当代地域性在油画发展中的价值所在。
[Abstract]:The "Cenozoic" is a new group in the process of contemporary socialization, which appeared after 1990s. They grew up in the transitional period of Chinese society and culture, and they were free, open and tolerant in cultural thought. Good at accepting new foreign things. They show confidence in traditional art, bold innovation, and set foot on the stage of Chinese contemporary art in a way of color thinking that is incompatible with traditional art. And has been concerned by all circles of art. In the present era, all kinds of colorful popular culture, popular culture, and consumer culture dominate the lives of the general public (especially the new youth generation), among them, Under the influence of various popular cultures, the artists have quietly changed their artistic creation and aesthetic appreciation, which is manifested in the artistic concept that is more and more distant from the Chinese traditional, regional, and national "native" uniqueness. Some artists, driven by their interests, give up their own cultural roots in order to cater to the taste of the market. In the contemporary art market, a kind of Chinese traditional elite art has gradually declined, and local fine works of art have been ignored. Even fade out of public view. As a group of young artists who have just left the Academy of Fine Arts, the "New Generation" is often overwhelmed by the vagaries of the art market, or mired in it. This paper attempts to index the development of Guizhou contemporary oil painting, take the "Cenozoic" art community of Guizhou as the research object, through a small part to see the whole, divergent thinking way to explore the "grass in the mountains," The value of contemporary regionalism in the development of oil painting.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J213
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