民国时期基督教艺术形象中国化研究

发布时间：2018-03-21 13:23

本文选题：基督教艺术　切入点：图像转换　出处：《华中师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：外来宗教的本土化是一个永恒的课题。基督教作为世界性的宗教,在唐代贞观年间就已传入中国,然而时至今日,基督教在中国的本地化程度仍然较低。基督教作为一种异域文化,如何能在传播地区建立起当地人对它的认同和信仰,是传教士们在传教过程中迫切希望解决的问题。就基督教艺术而言,基督教艺术从来就不以任何一国或者任何一种相貌作为基督教本该的艺术形式,它应当是基督教信仰与当地文化艺术相融合的产物,只有这样基督教艺术才能具有不同的风格和技巧,为基督教艺术带来永不枯竭的创作灵魂。西方的基督教艺术早已登上了高峰,相比对西方的基督教艺术的熟知程度而言,国人反而对中国的基督教艺术感到陌生。民国时期大规模的基督教艺术创作,可算得上是基督教艺术中国化的真正开端,这些作品的中国特色十分明显,无论是艺术构思、表现手法或是艺术风格的选择,都试图用国人可接受的方式呈现,都在进行着开创性的探索,并积累了大量的创作经验。中国的基督教艺术离不开对中国文化和传统艺术形式的继承和借鉴。因此,本文选取民国时期的基督教艺术作为研究对象进行探讨与梳理,力求探寻出若干有利于当代中国基督教艺术本土化的路径,为当代中国基督教艺术中国化的发展提供可借鉴的经验和方向。
[Abstract]:The localization of foreign religions is an eternal subject. Christianity, as a worldwide religion, was introduced into China during the period of virginity in the Tang Dynasty. Christianity is still less localized in China. As a foreign culture, how can Christianity establish the identity and belief of the local people in the transmission area? It is a problem that missionaries are eager to solve in the course of missionary service. As far as Christian art is concerned, Christian art never takes any country or any kind of appearance as the art form that Christianity is supposed to be. It should be the product of the fusion of Christian beliefs with local culture and art, so that Christian art can have different styles and techniques. Bringing an inexhaustible creative soul to Christian art. Western Christian art has already reached its peak, compared with its familiarity with Western Christian art. On the contrary, Chinese people are unfamiliar with the Christian art in China. The large-scale Christian artistic creation during the Republic of China can be regarded as the real beginning of the Sinicization of Christian art. The Chinese characteristics of these works are very obvious, regardless of their artistic conception. Both the means of expression or the choice of artistic style are trying to be presented in a way acceptable to the people, and they are conducting pioneering explorations. And accumulated a lot of creative experience. Chinese Christian art can not be separated from the inheritance and reference of Chinese culture and traditional art form. Therefore, this paper chooses the Christian art of the Republic of China as the research object to explore and comb. This paper tries to find out a number of ways conducive to the localization of contemporary Chinese Christian art, and to provide reference experience and direction for the development of contemporary Chinese Christian art in China.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J219

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