20世纪三四十年代我国插图艺术研究

发布时间：2018-03-23 05:05

本文选题：三四十年代　切入点：插图　出处：《河北科技大学》2014年硕士论文　论文类型：学位论文

【摘要】：20世纪初期的中国内忧外患，社会动荡不安。内有北洋军阀的黑暗统治，外有列强的虎视眈眈。到30年代，东三省沦陷、淞沪事变，日军占领热河又进犯冀东，我国大片国土残遭践踏蹂躏，千万同胞被迫到处流亡。1937年抗日战争全面爆发以后，战乱更是给中国人民带来了无尽的苦难。然而，危亡也孕育着希望，自五四新文化运动以后，新思潮不断涌动、科学技术推陈出新，尤其是三四十年代的插图艺术，更像是给阴暗的中国推开了一扇光明的窗。20世纪三四十年代是我国现代插图艺术的开端。随着新文化运动、新兴版画运动及科学技术进步带来的新思想、新观念、新形式，插图艺术也在题材、表现形式、形式语言等方面都呈现出了前所未有的变化。现实主义是这一时期的创作基调，在题材方面，插图多以描绘社会底层民众疾苦和战争为主，为宣传抗日、鼓舞民众起到了积极的作用。在表现形式与形式语言上，将西方绘画的焦点透视、明暗调子、逼肖写实和国画的散点透视、工笔线描、写意传神相结合，创作出了一大批以油画、水彩、素描、线描、水墨等表现形式的优秀插图，既有浓郁的民族装饰意蕴又不乏时代感。它就像一面时代的镜子，，折射出了社会生活的方方面面，也体现着人们的精神、理想，反映着人们的物质生活和意识文化。
[Abstract]:At the beginning of the 20th century, China suffered from internal and external troubles and social unrest. There was the dark rule of the northern warlords and the eyes of the foreign powers. In the 1930s, the three provinces of the East fell, the incident of Shanghai and the Japanese army occupied the river and invaded Jidong. Large areas of our country have been trampled and ravaged, and tens of millions of compatriots have been forced to go into exile. After the War of Resistance against Japan broke out in 1937, the war brought endless suffering to the Chinese people. However, peril also gave birth to hope, since the May 4th New Cultural Movement. The new trend of thought is constantly surging, and science and technology are pushing the old into the new, especially the illustrations of the 1930s and 1940s. It's more like pushing open a bright window to dark China. The 1930s and 1940s are the beginning of modern illustrations in China. With the new cultural movement, the new print movement and the new ideas, new ideas, and new forms brought about by the progress of science and technology, The art of illustration also presents unprecedented changes in subject matter, form of expression, formal language, etc. Realism is the keynote of this period. In terms of subject matter, illustrations are mainly about depicting the sufferings and wars of the people at the bottom of society. In order to promote the resistance against Japan and encourage the people to play a positive role, in the form of expression and formal language, the focus of Western painting perspective, light and dark tone, realistic and traditional Chinese painting point perspective, meticulous line drawing, freehand brushwork, vivid, He has created a large number of excellent illustrations in the form of oil paintings, watercolors, sketches, lines and ink, which not only have rich national decorative implications but also have a sense of the times. It is like a mirror of the times, reflecting all aspects of social life. Also reflect people's spirit, ideal, reflect people's material life and consciousness culture.
【学位授予单位】：河北科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5

【共引文献】