新安画派笔墨表现演变研究

发布时间：2018-03-27 05:27

本文选题：中国山水画　切入点：水墨画　出处：《西南交通大学》2013年硕士论文

【摘要】：新安画派是明末时期产生于徽州新安地区的一个地域性的画派,是中国传统绘画的一个典范是一批遗民画家以黄山、白岳及徽州山水为创作题材而形成的一个绘画流派,他们的作品多以黄山为母体来表现自我,宣泄苦闷,又以黄山禅宗般的灵境表现超凡脱俗与忘我无我的精神追求与状态。在明清时期,新安画派曾辉煌一时,在中国和世界文化史上占有崇高的地位。新安画派的鼎盛时期是在明末清初,在之后的几百年,新安画派的后人继渐江之后,黄宾虹,汪采白等人一直在探索新安画派的发展、创新,为新安画派的发展做出了很大的贡献,近当代,中国绘画历经了各种文化的冲击,逐渐形成了多样繁杂的局面,在此状态下,新安画派似乎已经没有了当年的风采,甚至有人认为走上了“穷途末路”。但新安画派作为一个地域性的画派,而他们的人品与作品的覆盖面极广、渗透力极强、感染力极大,对金陵画派,后期的扬州画派,海派绘画以至当代的中国山水画家及山水画家有着很大影响的这一事实,决定了新安画派的历史承担远没有结束。新安画派在中国的绘画史上曾留下过浓墨重彩的一笔；然而,在中国当代绘画史中却很少有彰显；是悄然离去还是再次崛起,本文把新安画派山水画作为中国传统文化精神的一个典范,参照结合新安画派的发展历程及其经验,分析新安画派笔墨表现的演变与时代精神的关系以及当代文化现状的冲撞下新安画派的际遇。进而与当代多元多向的水墨画进行比较、分析,找出中国传统的写意山水画创新的可能性。本文重点是对山水画笔墨表现及运用进行分析研究,分析新安画派的发展过程和对当代中国画的影响,以及试寻找其再次崛起的可能性。同时要在保持水墨边界的前提下拓展视觉冲击力,追求意境,努力实现传统的现代化,创作出具有自己笔墨风格的作品。
[Abstract]:Xin'an school is a regional school in the late Ming period in Huizhou Xin'an area, is a typical Chinese traditional painting is a painter in Mount Huangshan, a school of painting and landscape of Huizhou Baiyue theme for the creation and formation of their works in Mount Huangshan as the parent body to express themselves, catharsis anguish in Mount Huangshan, the Zen like spirit and extraordinary performance of selflessness and spiritual pursuit. In the Ming and Qing Dynasties, Xin'an school was once glorious, occupies a lofty position in the cultural history of the world. China and heyday of the Xin'an school in the late Ming Dynasty and early Qing Dynasty, after several hundred years, the descendants of the Xin'an school following Huang Binhong, Wang Jiang, et al are picked from the tea trees with been exploring the development of the Xin'an school, innovation, has made a great contribution for the development of Xin'an School of modern painting, China went through all kinds of culture shock, gradually The formation of a variety of complex situation, in this state, the Xin'an school seems to have no elegance of the year, some people even think that embarked on a "dead end". However, the school of Xin'an as a regional school, and the character and works of their wide coverage, strong penetration, great appeal to. Jinling school, the Yangzhou school, the Shanghai Painting and the modern Chinese landscape painter and landscape painter with the fact that the great influence of the Xin'an school, decided the historical mission is far from over. Xin'an School of painting history in the China had left a thick and heavy in colours but in China; contemporary painting in the history of it there are few shows; is quietly leave or rise again, the Xin'an School of landscape painting as an example Chinese the spirit of traditional culture, combined with the development of the Xin'an School of reference and experience analysis What the Xin'an school relationship an school text evolution and the spirit of the times and the impact of contemporary culture status. Then analysis and comparison, contemporary pluralistic painting, to find out the possibility of China traditional landscape painting innovation. The emphasis of this paper is to analyze the landscape painting performance and utilization, analysis of the development process the Xin'an school and the influence on contemporary Chinese painting, and tries to find the possibility to rise again. At the same time to expand the visual impact, the pursuit of artistic conception in the premise of maintaining the ink boundary, and strive to achieve the modernization of tradition, creation has its own style of painting works.

【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.9

【共引文献】