论中国山水画的情感传达—笔墨情趣与意境营造

发布时间：2018-03-27 09:46

  本文选题：山水画　切入点：情感传达　出处：《鲁东大学》2013年硕士论文

【摘要】：山水画作为我国传统艺术形式之一，其艺术精神孕育于自然之美，根植于底蕴深厚的传统文化。这种意境的思想支撑主要来自于文化的儒、释、道三家思想的融合，不仅在形式上有其独特的一面，而且在情感的表达上更具有中国特色。中国山水画有着悠久的历史和博大精深的文化内涵，在数千年的中国传统文化里更有着其浓墨重彩的一笔。其艺术精神的表现依赖于中国独特的表现形式和画家独特的人格精神。 中国独具特色的山水画，以其独特的笔墨艺术语言和表达形式，书写着中国几千年的绘画艺术。绘画作为文人士大夫们自我消遣和自我表现的工具，主要是通过画面中的物象来表达画家内心的真情实感。山水画本身的笔墨语言更善于表达人与自然之间的内在关系。它不仅能够陶冶了人们的情操，而且有净化人们内心的功能。正如黄宾虹所言：“山水画乃写自然之性，亦写吾人之心。”从山水画中，我们可以体味中国画的意境、格调与气韵。若说与他人谈经辩道，山水画便是民族的底蕴、古典的底气、我的图像、人的性情。中国山水画所特有的语言，有着深厚的文化底蕴和独立的民族价值取向，承载着的是中华民族所特有的审美意识。 艺术理论家车尔尼雪夫斯基曾说：“艺术源于生活而高于生活”。中国山水画的审美内涵不仅是生活艺术化的诗意再现，更是艺术源于生活又高于生活的真实写照。中国山水画是国人对宇宙自然所特有的文化表述，山与水不仅仅是宇宙世界中的两种自然景观，更重要的是宇宙自然与人精神灵魂的和谐统一体，它充满情思、意境、灵魂和气魄。山水画所独有的艺术形态赋予自然山水以人格精神，以致达到物我同心，情景交融，天人合一的艺术境界。从古至今，山水画家无一不追求着天人合一的境界，其结果是中国文化整体精神的折射，，同时也是中国山水画自身价值的重要表现。 本篇论文主要通过对山水画的形式、内容和笔墨技法等方面阐述，旨在说明中国山水画所具有的独特艺术性和深厚的人文情怀。本文又通过对历史上和现当代典型作品的分析来说明传统山水画对当代山水画发展的重大意义。
[Abstract]:As one of the traditional art forms of our country, the artistic spirit of landscape painting is conceived from the beauty of nature and rooted in the traditional culture with profound connotation. The ideological support of this artistic conception comes mainly from the fusion of Confucianism, Buddhism and Taoism. Chinese landscape painting has a long history and profound cultural connotation. In the thousands of years of Chinese traditional culture, there is a strong color in its artistic spirit, which depends on the unique form of Chinese expression and the unique personality spirit of the painter. The unique landscape painting of China, with its unique artistic language and expression form, has written the painting art of China for thousands of years. Painting is a tool for literati and bureaucrats to amuse themselves and express themselves. The painting itself is better at expressing the inner relationship between man and nature. It not only edifies people's sentiment. And it has the function of purifying people's hearts. As Huang Binhong put it: "Landscape painting is the nature of writing, but also the heart of our people." from the landscape painting, we can appreciate the artistic conception, style and charm of Chinese painting. Landscape painting is the national heritage, classical spirit, my image, human temperament. Chinese landscape painting unique language, has a profound cultural heritage and independent national value orientation, bearing the unique aesthetic consciousness of the Chinese nation. Art theorist Chernicheevsky once said: "Art originates from life and is higher than life." the aesthetic connotation of Chinese landscape painting is not only the poetic reproduction of life artistry, Chinese landscape painting is a unique cultural expression of the nature of the universe. Mountain and water are not only two kinds of natural landscape in the universe. What is more important is the harmonious unity of the universe nature and the human spiritual soul, which is full of feelings, artistic conception, soul and spirit. The unique artistic form of landscape painting endows the natural landscape with the spirit of personality, so that it can achieve the unity of things and scenery. Ever since ancient times, landscape painters have pursued the realm of the unity of nature and man, the result of which is the refraction of the whole spirit of Chinese culture and the important expression of the value of Chinese landscape painting itself. This paper mainly through the landscape painting form, the content and the brush and ink technique and so on aspect elaboration, The purpose of this paper is to explain the unique artistry and profound humanistic feelings of Chinese landscape painting. This paper also explains the great significance of traditional landscape painting to the development of contemporary landscape painting through the analysis of historical and modern typical works.
【学位授予单位】：鲁东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】

中国期刊全文数据库 前3条

1 陈彦峰;;浅谈中国画语言的艺术意蕴[J];甘肃高师学报;2007年01期

2 陈丽香;简析中国画语言之美[J];苏州大学学报(工科版);2004年03期

3 潘毅;;绘画创作的独特性[J];文艺评论;2007年04期

本文编号：1671016