新疆现实主义油画创作研究

发布时间：2018-04-04 08:13

本文选题：新疆油画　切入点：文艺观　出处：《新疆师范大学》2014年硕士论文

【摘要】：新疆油画发展到今天，能够感染观众的因素很大程度上取决于它的纯自然环境和民俗气息，特别是多元文化下的人文活动、人与自然生态的和谐融洽的关系，这为新疆文化艺术生态的形成奠定了良好的基础。地缘关系使得新疆这个多民族的地域成为东方语境和西方语境的缓冲地带，古往今来东西方文化在这里交融碰撞，产生了独具新疆地域特色的文化艺术样式。新中国成立后，新疆油画在地缘政治的影响下迅速发展，受到毛泽东时代遗留下来的文艺理念的感染，从建国初期的新疆油画中可以感受到老一辈画家的成长背景。在当时崇尚苏联美术教育的文化背景下，大批画家留学苏联，其中一些人归国后将苏联现实主义油画引荐到新疆，为新疆油画的发展作出卓越的贡献，也使新疆现实主义油画创作有了清晰的发展脉络和较为深远的公众认知。本文深度剖析了现实主义作为新疆油画的一种景观，其潜在的成因和传承脉络，尤其是从艺术与社会政治的关系角度，对促使它稳健地扎根于新疆这片沃土的政治因素进行了诠释。主要论述思路如下：首先就新疆现实主义油画的形成，从包容的社会文化背景、中国和前苏联相同的政治体系、中国的革命文艺观、对艺术从业者的扶持政策等方面作出说明；之后论述新疆油画的现实主义之路，提到了影响中国油画创作的外部环境和因素，和五十年代掀起的赴苏留学热潮，以及内地现实主义思潮对新疆现实主义油画的影响，论述了留苏画家全山石等画家对发展新疆油画教学作出的努力；最后谈到新疆的现实主义画家及其创作，，得出研究结论。总的来讲，新疆油画从进入公众视野到现在，积累了相当可观的油画艺术经验，最终形成了新疆现实主义油画的新风貌。这种立足于本土的不同的经验促使新疆油画成为文化艺术产业链上的潜在景观。
[Abstract]:Xinjiang oil painting has developed to today, the factors that can infect the audience depend to a great extent on its pure natural environment and folk atmosphere, especially the cultural activities under the multi-cultural conditions, and the harmonious and harmonious relationship between human beings and natural ecology.This has laid a good foundation for the formation of cultural and artistic ecology in Xinjiang.The geographical relationship makes Xinjiang, a multi-ethnic region, a buffer zone between the eastern context and the western context. The culture of the East and the West collided here from time to time, resulting in a unique cultural and artistic style with the regional characteristics of Xinjiang.After the founding of New China, Xinjiang oil painting developed rapidly under the influence of geopolitics, and was infected by the literary and artistic ideas left over from Mao Zedong's time. From the oil painting of Xinjiang in the early days of the founding of the people's Republic of China, we can feel the growing background of the older generation of painters.Under the cultural background of advocating Soviet art education at that time, a large number of painters studied in the Soviet Union, and some of them introduced Soviet realistic oil paintings to Xinjiang after returning to China, thus making outstanding contributions to the development of oil paintings in Xinjiang.Xinjiang realistic oil painting also has a clear development context and a more profound public awareness.This paper deeply analyzes the potential causes and inheritance of realism as a landscape of Xinjiang oil painting, especially from the angle of the relationship between art and social politics.It explains the political factors that make it firmly rooted in the fertile soil of Xinjiang.The main ideas are as follows: first of all, the formation of Xinjiang realistic oil painting, from the inclusive social and cultural background, China and the former Soviet Union the same political system, China's revolutionary literature and art concept, the support policy for art practitioners, and so on.Then it discusses the realistic road of Xinjiang oil painting, and points out the external environment and factors that influence Chinese oil painting creation, and the upsurge of studying abroad in the Soviet Union in the 1950s, as well as the influence of the realistic trend of thought in the interior on the realistic oil painting in Xinjiang.This paper discusses the painters' efforts to develop oil painting teaching in Xinjiang, and finally discusses the realistic painters and their creation in Xinjiang, and draws the conclusion of the research.Generally speaking, Xinjiang oil painting has accumulated considerable oil painting art experience from entering the public view to now, and finally formed the new style of Xinjiang realistic oil painting.This kind of different experience based on local makes Xinjiang oil painting a potential landscape in the cultural and artistic industry chain.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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