中国古代绘画中的时间观

发布时间：2018-04-06 02:18

本文选题：时间性　切入点：古代绘画　出处：《中国艺术研究院》2017年硕士论文

【摘要】：中国人最早感受到的时间是一日之晨昏旦暮,逐渐总结出一年的四时轮转,《礼记》中说:“天有四时,春秋冬夏。”随着时间意识的觉醒,在《离骚》中屈原以其强烈的情感表达了对时光不居的焦虑,“日月忽其不淹兮,春与秋其代序。惟草木之零落兮,恐美人之迟暮。”陆机也说:“遵四时以叹逝,瞻万物而思纷。悲落叶于劲秋,喜柔条于芳春。”四时轮回融入了诗人太多的喜怒哀乐。到了宋代,文人之间出现了诗与画的相互转换,苏轼认为,“古来画师非俗士,摹写物象略与诗人同。”诗意画的出现更好的将诗人的抒情体验融入其中,甚至有很多绘画作品就是诗的转译。宋赵令穰《橙黄桔绿》画的就是苏轼“一年好景君须记,最是橙黄桔绿时。”的诗句。画家移景入画,必须把握四时不同的季节特性,古来画论里就强调画山水必分气候、时节,北宋大画家郭熙的《林泉高致》说:“山春夏看如此,秋冬看又如此。所谓,四时之景不同。山朝看如此,暮看又如此,阴晴看有如此,所谓,朝暮之态不同。”更是道出了画家触景生情的心境。“四时”是古代绘画重要的画题之一,以山峦景色变化为载体,穿过千年讲述着时间的故事。值得我们更深入探讨。本文围绕着“古代绘画中的时间观”展开分析,共分为四个章节。第一章,绪论;第二章时间观的形成。大致论述了古代诗歌和画论中关于时间的感叹以及诗画融合;第三章,中国古代绘画形制中的时间。也是文章的重点部分,在分析大量古代绘画作品的基础上,分别介绍了立轴画、册页画和手卷画这三种古代绘画形制中体现的时间观;第四章,古代绘画的时间观在当代的沿用。具体例举了几位当代水墨画家的创作实践,延续了古代绘画中的时间观以及对我们创作的启发。时间与绘画是画家追寻千年的主题,结合当下现状回看古代传统,对我们既是机遇也是挑战。
[Abstract]:The earliest time the Chinese felt was the dawn and dusk of a day, and they gradually summed up the 04:00 rotation of the year. The Book of Rites says, "it is 04:00, spring, autumn, winter, summer."With the awakening of time consciousness, qu Yuan expresses his anxiety about time with his strong emotion in Li Sao.But the grass and trees are scattered, afraid of the beauty of the late twilight. "Lu Ji also said: "follow 04:00 to sigh the past, look at all things and think."Sorrow leaves fall in autumn, like soft strips in Fangchun. "04:00 reincarnated too much of the poet's joys, sorrows and sorrows.In the Song Dynasty, there was a conversion of poetry and painting between the literati. Su Shi thought, "Ancient painters are not vulgar, and the description of objects is the same as the poet."The appearance of poetic paintings better integrates the lyrical experience of poets, and even many paintings are translated poems.Song Zhao Ling, "orange yellow orange green" painting is Su Shi, "one year good King must remember, the most orange orange green."A verse ofWhen a painter moves into a painting, he must grasp the different seasonal characteristics of 04:00. In ancient painting theory, it is emphasized that the painting of mountains and rivers must be divided into different climates. During the season, Guo Xi, the great painter of the Northern Song Dynasty, said in Lin Quan Gao Zhi, "this is the view of the mountains, the spring and the summer, and the autumn and the winter.As it is called, the scene of 04:00 is different.The mountains look like this, the twilight looks the same, the cloudy and sunny look like this, so-called, the state of twilight is different. "It also shows the artist's mood.04:00 is one of the most important painting themes in ancient painting. It takes the change of mountain scenery as the carrier and tells the story of time through thousands of years.It is worth our further discussion.This paper is divided into four chapters, focusing on the view of time in ancient painting.The first chapter is introduction, the second chapter is the formation of time view.It discusses the exclamation of time in ancient poetry and painting theory and the fusion of poetry and painting. Chapter three, the time in the form of ancient Chinese painting.It is also the key part of the article, on the basis of analyzing a large number of ancient painting works, the paper introduces the time view embodied in the vertical axis painting, the album painting and the hand-roll painting respectively.The time view of ancient painting is used in contemporary times.Examples of the creation of several contemporary ink painting practice, the continuation of the ancient painting in the view of time and the inspiration to our creation.Time and painting are the themes for painters to pursue for millennia. Looking back at the ancient tradition combined with the present situation, it is both an opportunity and a challenge to us.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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