从自然再现到心像表达—东北冰雪漆画创作的再认识

发布时间：2018-04-06 04:30

  本文选题：方冬　切入点：蛋壳镶嵌　出处：《美术观察》2017年08期

【摘要】：正冬日里白雪皑皑,原野苍茫荒僻,这是东北大地冬日的寻常景象,平实质朴、深远博大、壮阔无比,寄托着东北人的独有情怀,也吸引着很多画家的目光。正如每一位初识漆画的人一样,当看到乌黑深邃的漆与洁白无华的蛋壳时,我便被深深吸引。白蛋壳在漆画中是十分独特且珍贵的材料。蛋壳的大小疏密,与大漆间的仰贴与俯贴,这些都产生了丰富微妙的层次。而在经过打磨后,洁白似雪的蛋壳又构成了东北冰雪漆画语言中不可缺少的要素。可以说,正是北方冬景的自然
[Abstract]:In the winter, the snow is white, the wilderness is deserted, this is the common scene of the northeast earth winter, plain, profound and vast, incomparably broad, relying on the unique feelings of the Northeast people, but also attracted the attention of many painters.Like everyone who first knew lacquer painting, I was attracted when I saw the dark paint and the white eggshell.White eggshell is a very unique and precious material in lacquer painting.Eggshell size, and large paint between the back paste and overlay, these have produced a rich and delicate layers.After grinding, the white eggshell constitutes an indispensable element in the painting language of northeast ice and snow.It can be said that it is the nature of winter scenery in the north
【作者单位】： 黑龙江大学艺术学院;黑龙江省美术家协会漆画艺委会;
【分类号】：J213.9
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本文编号：1717991