敦煌壁画《鹿王本生图》绘画语言探究

发布时间：2018-04-06 07:51

本文选题：鹿王本生图　切入点：绘画语言　出处：《西北民族大学》2017年硕士论文

【摘要】：本文结合北朝时期的历史文化背景,通过对《鹿王本生图》的深入分析和总结研究,对其所反映的艺术风格、艺术表现特色和壁画创作的构成形式、色彩结构和造型手法等方面予以系统解读。文章力图通过积极细致的整理、分析和文献检索,在研究中运用文献学、艺术学访谈和图像学的研究方法,从壁画的构成格局入手,结合资料引证,对《鹿王本生图》所代表的北魏壁画艺术的文化特质、艺术特色和表现手法做出较为全面的综合概览。敦煌石窟,是我国最珍贵的历史文化遗迹和佛教艺术宝库。自前秦始建直至宋元的一千多年里,经各代兴建维护,发展为融建筑、雕塑、壁画三者于一体的中国古代艺术百科全书。敦煌石窟艺术中数量最大,内容最丰富的部分是壁画,在现存有壁画和塑像的492个洞窟里共有壁画4.5万平方米。其中的北朝壁画具有鲜明的时代特点和文化内涵,其前期多以土红色为底色,再敷以青绿褚白等颜色,色调热烈浓重,线条纯朴浑厚,人物形象挺拔,有鲜明的西域佛教艺术特色。自西魏以后,底色多为白色且色调趋于雅致,洒脱的风格已具有中原的风貌。反映出这一时期佛教文化在由西向东的传播过程中,西域和中原文化的互渗和佛教本土化的文化现象。本选题所要研究的莫高窟257窟西壁中层《鹿王本生图》,正是这一时期壁画的代表作。壁画客观地反映了当时的社会现实状况,宣扬了善恶报应的宗教思想,具有相当的历史研究价值。而它的艺术价值则主要表现在具有独立审美价值的线条、色彩,高超的造型手段和独特的画面构图与叙事手法等方面,风格纯熟,技艺精湛,散发着永恒的艺术魅力和艺术光华。
[Abstract]:Based on the historical and cultural background of the Northern Dynasty, through the in-depth analysis and study of Lu Wang Bensheng, this paper analyzes the artistic style, artistic expression characteristics and the composing form of murals.Color structure and styling techniques to be systematically interpreted.Through active and meticulous collation, analysis and literature retrieval, this paper tries to apply the methods of philology, art interview and image science in the research, starting with the structure of the mural, combining with the data citation.This paper gives a comprehensive overview of the cultural characteristics, artistic characteristics and expression techniques of the murals of the Northern Wei Dynasty, represented by Lu Wang's Bensheng Pictures.Dunhuang grottoes are the most precious historical and cultural relics and Buddhist art treasure.During the more than one thousand years from the pre-Qin Dynasty to the Song and Yuan dynasties, the encyclopedia of ancient Chinese art was developed into an encyclopedia of ancient Chinese art, which was integrated with architecture, sculpture and murals.The largest and most abundant part of Dunhuang grottoes is murals. There are 45000 square meters of murals in the 492 grottoes with murals and statues.The frescoes of the Northern Dynasty have distinct characteristics of the times and cultural connotations. In the early period, they were mostly based on earth red, followed by green and Chu Bai colors, warm and heavy colors, simple lines and straight and straight figures.It has the distinctive artistic characteristics of Buddhism in the Western region.Since the Western Wei Dynasty, the background color is mostly white and tonal tends to elegant, free and easy style has the style of Central Plains.It reflects the interpenetration of the culture of the Western region and the Central Plains and the localization of Buddhism in the spreading process of Buddhism culture from west to east in this period.The middle layer of Mogao Grottoes 257 is the masterpiece of the murals of this period.The murals objectively reflect the social reality at that time, propagate the religious thought of good and evil retribution, and have considerable historical research value.Its artistic value is mainly manifested in the lines, colors, superb modeling means and unique picture composition and narrative techniques with independent aesthetic value.Exudes the eternal artistic charm and the artistic splendor.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.6

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