《1946》之于“去蔽的存在”

发布时间：2018-04-08 12:35

本文选题：侵华日军　切入点：生存境遇　出处：《艺术工作》2017年04期

【摘要】：正《1946》是一部揭示人类生存境遇及未来命运的一部作品。它讲述了二战后中国政府遣返侵华日军及日本侨民的一段历史。画面上有数以百计的人物。王希奇先生革命性地改变了传统的油画的透视原理,创造性的使用了多点透视与散点聚焦的技法,这使观者忽而感觉驻足于行进的人群之中;忽而以为自己行进在瞬间凝固的历史之中。这种由
[Abstract]:< 1946 > is a work that reveals the living conditions and future destiny of mankind.It tells a history of the repatriation of Japanese invaders and Japanese nationals by the Chinese government after World War II.There are hundreds of characters on the screen.Mr. Wang Xizi revolutionized the perspective principle of traditional oil painting, and creatively used the techniques of multi-point perspective and scattered focus, which made the viewer suddenly feel standing in the marching crowd;And suddenly thought he was moving in a moment of solidification in the history.This reason
【分类号】：J205

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