论弘仁作品中的形式美

发布时间：2018-04-08 11:08

本文选题：弘仁　切入点：形式美　出处：《南京师范大学》2013年硕士论文

【摘要】：弘仁是清代著名画家,其作品不仅冲破当时画坛摹古之风,且颇具匠心极富创造性。其独特的形式美中蕴含着奇妙的抽象性,从图式、表现语言及格调上远远区别于以往常见的传统型作品。以往针对弘仁的研究大多从社会学角度入手,多以研究其师从关系和师法对象见长,对他画面强烈冷峻感的解释也多以分析其特殊的人生经历、思想性格见长,少有从风格学角度针对作品中特有的形式美及其形成原因进行研究。本文试通过形式分析法对弘仁作品的形式美进行详尽的解析,并结合文献研究法探究其成因。文章首先简单介绍了弘仁绘画风格演变的过程,并指出单勾无皴、以几何形体造型是弘仁作品成熟期的主要形式特点。在第二章中笔者运用西方的形式分析理论,对以《黄海松石图》为代表的作品进行详细的形式分析,概括出他作品中的形式特点,并对其效果和作用以及形成手段进行深入的探究。最后,笔者进一步探析弘仁形式美的成因。
[Abstract]:Hongren is a famous painter in Qing Dynasty. His works not only broke the style of painting at that time, but also made a great deal of creativity.Its unique formal beauty contains wonderful abstractness, which is far different from the traditional works in terms of schema, expression language and style.In the past, most of the studies aimed at Hongren started from the angle of sociology, and mostly studied his teacher-follower relationship and the object of teaching and learning. The explanation of his strong cold sense of picture was also used to analyze his special life experience and his strong ideological character.There are few studies on the unique formal beauty in the works from the stylistic point of view and the reasons for its formation.This paper attempts to analyze the formal beauty of Hongren's works by means of formal analysis, and probes into the causes of its formation with literature research.This paper introduces the evolution of Hongren's painting style, and points out that the geometric shape is the main form characteristic of Hongren's works in mature period.In the second chapter, the author makes a detailed formal analysis of the works represented by Huang Hai's Song Shi by using the western formal analysis theory, and generalizes the formal characteristics of his works.And to its effect and function as well as the formation method carries on the thorough exploration.Finally, the author further explores the causes of Hongren's formal beauty.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【参考文献】