论隋唐宋元山水画的演变

发布时间：2018-04-13 17:06

本文选题：中国山水画 + 禅宗　；参考：《江西科技师范大学》2013年硕士论文

【摘要】：中国山水画并不是一成不变的，在中国的山水画世界中，每个朝代都有其自身的特点，从青绿到水墨，从写实到写意，从人物到山水都有一个发展的过程，中国画何以会发展与演变呢？其原因在于中国文化的发展。笔者从隋朝青绿山水画的独立到唐代水墨山水画的出现再到五代迷朦南方山水的形成。从北宋山水的全景山水到马远、夏圭的“边、角”山水，，从文人画的“诗画一律”到元代“以书入画”来论述中国山水的画面的演变，结合禅宗的出现到理学兴起再到道禅思想的发展这一大文化的演变，来论证中国文化的发展与中国画的关系，得出中国画作为中国文化的一部分，是由文化的发展而发展的，从中国画突出中国文化的特质，本文就隋唐宋元山水画的发展与文化的演变之美论述，展现出绘画的发展与文化的发展紧密相关。
[Abstract]:Chinese landscape painting is not inflexible. In China's landscape painting world, every dynasty has its own characteristics, from green to ink, from realism to freehand brushwork, from figures to mountains and rivers.How can Chinese painting develop and evolve?The reason lies in the development of Chinese culture.From the independence of the green landscape painting in the Sui Dynasty to the appearance of the ink landscape painting in the Tang Dynasty, to the formation of the southern landscape in the five dynasties.From the panoramic landscape of the Northern Song Dynasty to Ma Yuan and Xia Gui's "Bian, Jiao" landscape, from the literati painting "all the Poems and paintings" to the Yuan Dynasty's "calligraphy and painting" to discuss the evolution of the Chinese landscape picture.Combining the emergence of Zen Buddhism with the rise of Neo-Confucianism and the development of Taoist Zen thought, to demonstrate the relationship between the development of Chinese culture and Chinese painting, it is concluded that Chinese painting, as a part of Chinese culture, is developed by the development of culture.From the Chinese painting highlight the characteristics of Chinese culture, this article on the development of the Sui, Tang, Song and Yuan landscape painting and cultural evolution of the beauty of the discussion, show that the development of painting and cultural development is closely related.
【学位授予单位】：江西科技师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212;J209.2

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