新疆少数民族国画家研究

发布时间：2018-04-14 19:51

本文选题：新疆 + 少数民族　；参考：《新疆师范大学》2014年硕士论文

【摘要】：新疆各处的壁画、历史文物的遗存和发现都证明了新疆美术的开端和实况。最早的有唐代早期来自西域于阗国（今新疆和田）的尉迟跋质那和尉迟乙僧父子。但是新疆美术史的内容相对于内地省份地区浅薄很多，因为在历史上很大一段时期内存在着空白和断层现象。一直到建国后，慢慢开始有了繁荣的美术绘画景象。但是在这段时期内新疆的油画发展要远远大于国画，油画家的人数比例要多的多，国画家人数比例却显得很凋零，尤其少数民族同胞的国画家在早期几乎是没有的，，一直到我们新疆维吾尔国画家吐尔地·伊明的出现才使近代史上新疆少数民族国画家的空白给填不上。随着新疆少数民族国画家的队伍慢慢的在成长，这种现象使更多少数民族绘画工作者有了选择国画专业的观念。纵观新疆的近现代美术史，少数民族绘画工作者几乎都是学习西方传过来的水粉、水彩、版画专业，尤其在油画绘画学习和从事方面，人数发展的队伍是很壮大的。而博大精深的国画艺术，作为我们中华民族自己的绘画品种，是我们中国土生土长出的绘画种类却几乎无人问津，一直到吐尔地·伊明国画家的出现，接着著名的油画家哈孜·艾买提也尝试着国画作品的创作，是近现代以来新疆少数民族学习国画专业的一个很好的开端，具有重要开创性的绘画史意义。本论文就是主要对吐尔地·伊明等近现代一些新疆少数民族国画家进行探讨研究。论文中主要运用的是访谈总结分析的方法，通过对几位有代表性的画家进行访谈，以及把相关画家出版的书籍、其他人撰写的相关文稿和画家的作品进行复印、拍摄，来收集和整理宝贵的第一手资料，同时也要走访相关的重要人员，从他们的角度来得到一些见解和观点，来论证本论文的研究内容，已达到多方面的丰富和充实本论文的论据和论点。在本论文中从以下四个章节对新疆少数民族国画家进行分析讨论的：第一章的绪论，包括研究背景、选题依据、当前国内外的研究现状、研究的目的和理论意义的总结、研究方案。第二章是对新疆少数民族国画家的时代背景进行分析，先概述性的介绍了少数民族的文化背景，再把新疆的国画发展现状做一定的介绍分析，让读者大致了解新疆少数民族国画家从事国画事业的基本社会情况和国画氛围。第三章和第四章是本论文写作的主要论述重点。第三章分两部分叙述，概述性的讲述新疆古代的一些历史记载的国画家，之后详细介绍近现代几位具有代表的新疆少数民族国画家的社会境况和生平，让读者清晰的认识和了解这些代表性的新疆少数民族国画家，把握新疆少数民族国画家大致的人员状况和有关国画艺术的画家具体情况。第四章详细叙述新疆少数民族国画家的国画作品影响因素分析。在本章节里从四个方面去分析，分别从新疆少数民族国画家绘画创作色彩的特征，他们的汉语水平直接影响创作风格面貌，画家绘画作品构图的创新，创作题材内容四个方面去探讨，把握新疆少数民族国画家绘画作品的艺术特征和风格特点。了解少数民族国画家的作品风格特点与传统的国画作品上的区别。同时透析出造成这种区别是源于其内在的民族文化的影响和新疆特有的地域因素。第五章讲述的是新疆少数民族国画家的成就从两个方面去进行阐述，分别是新疆少数民族国画家的艺术成就和历史地位。
[Abstract]:Xinjiang murals around the historic relics, and found that the beginning of the Xinjiang art and live. The first is from the western regions in the early Tang Dynasty (now Xinjiang and Tian Tian) of the matter and the postscript Yuchi yu-ch'ih i-seng father and son. But Xinjiang art history content relative to the mainland provinces because many shallow in history, great a period of memory in the blank and the fault phenomenon. Until after the founding of the PRC, slowly began to have a thriving art scene. But in the period of Xinjiang oil painting development is much larger than the traditional Chinese painting, oil painting in proportion to the number of much more, the proportion of Chinese painters appeared very withered, especially the ethnic minorities the traditional Chinese painting in early is almost no, we have been to Xinjiang Uygur Chinese painter Turdi - that Imin blank of Xinjiang minority country artist in modern history to fill with. Xinjiang minority traditional Chinese team slowly growing, this phenomenon makes more minority workers have a choice of traditional Chinese painting painting ideas. Throughout Xinjiang's history of modern art, ethnic art workers are almost all western learning came from gouache, watercolor painting, printmaking, especially in the aspects of learning and engaged in oil painting the number, development team is very strong. But the broad and profound Chinese painting art of the Chinese nation, as our own painting varieties, is a kind of painting we China native is almost a Turdi until No one shows any interest in, and then the Yi Ming Chinese painter, famous painter Hazi Amat also tried painting works, is near since the modern Xinjiang ethnic minorities to learn a very good beginning majoring in traditional Chinese painting, has important significance in the history of pioneering painting. This thesis is mainly on the Turdi, such as some modern Imin Xinjiang minority artists are discussed.
In this paper mainly uses the method of interview analysis, the representative painter interviewed several, and the painter of books, other people write related manuscripts and works to copy the shooting, to collect and collate valuable first-hand information, but also to visit the important personnel and to get some insights and ideas from their point of view, the research content of this paper is to demonstrate, in many aspects to enrich the evidence and argument.
In this paper, the following four chapters are used to analyze and discuss the national minority Chinese painting family in Xinjiang.
The introduction of the first chapter includes the research background, the basis of the topic, the current research status at home and abroad, the purpose and theoretical significance of the research, and the research scheme.
The second chapter is on the Xinjiang minority traditional Chinese background analysis, first introduced the minority cultural background, the traditional Chinese painting development present situation of Xinjiang to do some analysis, let the reader know roughly Xinjiang ethnic Chinese painters engaged in painting and painting career basic social atmosphere.
The third and fourth chapters are the main points of this thesis.
The third chapter is divided into two parts: an overview of the narrative, the story of the Xinjiang historical records of ancient Chinese painting, after detailed introduction of several modern representative of the Xinjiang minority traditional Chinese social situation and life, let the readers have a clear understanding of the representative of Xinjiang minority country artist, painter grasp the specific circumstances of Xinjiang the minority traditional Chinese general situation and relevant personnel of Chinese painting art.
The fourth chapter describes the factors of Xinjiang minority traditional Chinese painting works. In this chapter from four aspects to analysis, separately from the characteristics of Xinjiang minority traditional Chinese painting color, their Chinese style directly affect the creation of innovation, the painter painting work composition, four aspects of theme and content creation to explore the artistic features and style, grasp the characteristics of ethnic minorities in Xinjiang traditional Chinese painting style. Understand the difference between the characteristics of Minority Traditional Chinese and traditional Chinese painting works. At the same time this kind of difference is caused by the dialysis of regional influential factors from their intrinsic culture and Xinjiang.
The fifth chapter is about the achievements of ethnic minority Chinese painters in Xinjiang from two aspects, namely, the artistic achievements and historical status of Xinjiang minority artists.

【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J203

【参考文献】