中国写意花鸟画中的“符号”元素研究

发布时间：2018-04-14 22:15

本文选题：写意花鸟画 + 符号　；参考：《聊城大学》2014年硕士论文

【摘要】：符号在生活当中可以说无处不在，如交通符号、商业标志等。符号也常常在艺术家的绘画当中出现，当它作为一种绘画元素时，其所扮演的角色也就有所不同。在花鸟画领域，符号不再是特指的标记，绘画艺术赋予了它更为丰富的一层涵义。生活中的符号表现为一些商业标识或者具象的图形符号，但是在花鸟画中的符号则有所不同，它有其自身的特点，表现出来的是一种带有抽象性的形式，是服务于绘画作品的表达方式和视觉效果的。因此，本论文以符号为出发点，具体分析写意花鸟画中的“符号”元素以及“符号”元素在写意花鸟画中的影响。本文第一部分主要介绍了符号与绘画的关系，为下文提供了理论依据。第二部分论述了程式符号在绘画中的孕育。“符号”并不是一开始就在写意花鸟画中存在的，而是随着写意花鸟画自身的发展而逐渐形成的。早在古代人们就开始利用点、线、面作为构成花鸟画的基本元素，不同的组合形成了中国传统绘画特有的表现方式。这种基本的表现形式为以后符号的出现奠定了基础。第三部分作为重点章节，主要论述随着花鸟画自身的发展，到明清时期达到顶峰，，在此期间表现出来的“符号”元素愈发成熟。无论是在用笔用墨上的一笔造型、勾花点叶，还是造型上的夸张都体现出写意花鸟画的意象“符号”。最后，通过分析当代具有代表性的一些画家的作品来叙述写意花鸟画绘画语言“符号化”的特点。同时，也启示画家进行花鸟画创作时要体现出积极健康的人生态度，减少一些浮躁的功利之心。更重要的是，花鸟画“符号”元素与中国传统文化的结合对当代艺术家绘画创作具有现实的引领意义，进而从中获得艺术创作的新思路。本文的研究将会在一定程度上加深人们对中国写意花鸟画的认识，更进一步理解其中所表现的“符号”元素及背后所蕴含的文化内涵，帮助画家不断提高写意花鸟画的创作水平，进而创作出更好的作品。
[Abstract]:Symbols in life can be said to be everywhere, such as traffic symbols, business signs and so on.Symbols also often appear in artists' paintings, and when they are a painting element, their roles are different.In the field of flower-and-bird painting, the symbol is no longer a special mark, painting art gives it a richer meaning.The symbols in life are shown as some commercial signs or figurative graphic symbols, but the symbols in flower-and-bird paintings are different. They have their own characteristics, and they show an abstract form.Is to serve the expression of painting and visual effects.Therefore, this paper takes the symbol as the starting point, concretely analyzes the "symbol" element in the freehand brushwork flower and bird painting and the influence of the "symbol" element in the freehand brushwork flower and bird painting.The first part of this paper mainly introduces the relationship between symbol and painting, which provides the theoretical basis for the following.The second part discusses the gestation of program symbols in painting."symbol" does not exist in freehand brushwork from the beginning, but is gradually formed with the development of freehand brushwork.As early as ancient people began to use points, lines, surfaces as the basic elements of flower and bird painting, different combinations of traditional Chinese painting formed a unique way of expression.This basic form of expression laid the foundation for the appearance of symbols in the future.The third part, as the key chapter, mainly discusses that with the development of flower and bird painting itself, it reached its peak in Ming and Qing dynasties.Whether in the pen with ink on a stylus, Flower point leaf, or the form of exaggeration reflects the freehand brushwork flower and bird painting image "symbol".Finally, by analyzing the representative works of some contemporary painters, this paper narrates the characteristics of symbolization of the painting language of freehand brushwork flower and bird painting.At the same time, it also enlightens the painter to reflect a positive and healthy attitude towards life and reduce some impetuous utilitarian feelings when creating flower-and-bird paintings.More importantly, the combination of "symbol" elements of flower and bird painting and Chinese traditional culture has practical guiding significance for contemporary artists' painting creation, and thus obtains a new way of artistic creation.To some extent, the study of this paper will deepen people's understanding of Chinese freehand brushwork flowers and birds paintings, and further understand the "symbol" elements and the cultural connotations behind them.Help painters to improve the creative level of freehand brushwork, and create better works.
【学位授予单位】：聊城大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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