当前位置:主页 > 文艺论文 > 绘画论文 >

对中国“水彩画”的再认识

发布时间:2018-04-19 12:42

  本文选题:水彩画 + 概念 ; 参考:《东北师范大学》2013年硕士论文


【摘要】:水彩画的发展具有悠久的历史,传入我国后得到了飞跃性的发展。它以自己独特的画面效果而得到了画家们和观者们的喜爱。水性的灵动,色彩的绚丽和缤纷,轻松并富有灵性的绘画方式,这些都深深地吸引着人们的视线,水彩画在中国,现如今已经成为中国绘画领域的一个重要的组成部分,并且在艺术界越来越得到重视,占有着一定的重要历史地位。水彩画是“以水调和颜料所作之画”。这种艺术形式的出现,从某种层面上来说,人们对什么是水彩画,以及水彩画的一些相关概念已经形成了一些比较固定和概念的看法。也形成了一些对待水彩画的惯性思维。水彩画这个新兴的画种,要想在中国这片热土得到更加深远的发展,,使水彩画能够在中国的地域、文化背景下继续发扬光大,仅仅凭借着在水彩技法上的创新是远远不够的。而要在对水彩画的更深层次上的认识做进一步的理论研究。通过理论和实践相结合,使水彩画在中国得到更好的继承与发展。本文第一章主要介绍水彩画的起源与发展,分别阐述各个地区水彩画的发展状况。并通过不同的文化、地域背景对中外水彩画的差异做了简单的比较。第二章主要阐述了水彩画相关概念,分别从“水”的概念“彩”的概念以及“画”的概念三个不同方向对水彩画进行系统的分析,通过水和彩的相互作用和联系,以及作为绘画的相关概念得出中国水彩画的新的意义。第三章主要阐述了中国水彩画作为外来画种,如何能够在中国得到更好的发展。
[Abstract]:The development of watercolor painting has a long history and has been developed by leaps and bounds after it was introduced into China.It has been loved by painters and viewers for its unique picture effects.Water-based ingenuity, brilliant colors and colorful, relaxed and spiritual ways of painting are all deeply attracting people's attention. Watercolor painting in China has now become an important part of the Chinese painting field.And in the art world more and more attention, occupies a certain historical position.Watercolor painting is a painting made with water and paint.The appearance of this kind of art form, from a certain level, people have formed some relatively fixed and conceptual views on what is watercolor painting, and some related concepts of watercolor painting.Has also formed some treatment watercolor painting inertia thought.Watercolor painting, as a new kind of painting, wants to get a more profound development in this hot land of China, so that watercolor painting can continue to develop in China's region and cultural background, only relying on the innovation of watercolor techniques is far from enough.And should do further theoretical research on the deeper understanding of watercolor painting.Through the combination of theory and practice, watercolor painting in China gets better inheritance and development.The first chapter mainly introduces the origin and development of watercolor painting.And through different cultures, regional background to the difference between Chinese and foreign watercolor painting made a simple comparison.The second chapter mainly elaborated the watercolor painting related concept, separately from "the water" concept "color" concept and "the painting" concept three different direction carries on the systematic analysis to the watercolor painting, through the water and the color interaction and the connection,As well as as painting related concepts to draw the new significance of Chinese watercolor painting.The third chapter mainly expounds the Chinese watercolor painting as a foreign painting, how to get a better development in China.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J215

【参考文献】

相关期刊论文 前2条

1 肖黎;;水彩的中国化及其艺术审美表现[J];大舞台;2010年05期

2 闻斌;;水彩画家艺术风格的形成[J];文艺研究;2008年06期



本文编号:1773141

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1773141.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户4776a***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com