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论油画创作中油性媒介材料的渗入

发布时间:2018-04-27 01:02

  本文选题:油性媒介材料 + 油画创作 ; 参考:《湖北美术学院》2017年硕士论文


【摘要】:现在油画媒介材料比以前更容易获得并使用,现代技术已经消除了这种绘画原料的许多固有缺点,使之对于艺术家来说更加便于操作,并使用于自己的创作之中。多种媒介材料的在同一作品中的使用让画种之间的距离日渐缩小。随着当代艺术对于作画方式与作品展现形式多样化的冲击,导致许多体制内美术类高校在油画专业的教学中,面对市场上新出现的油性媒介材料的尝试探索非常少。在多数院校本科基础教学中并没有专门针对油性媒介材料性质的详细介绍。同时追随着西方后现代主义和当代艺术的兴起,导致了人们的盲目追随心理,否定了绘画艺术(特别是油画)的绘画性,过分的强调艺术的主观意识,哲学观念,不去再去关注和强调绘画中的技术体验。当代艺术家越发清楚材料是绘画作品的媒介通道,而思路得到极大拓宽的艺术家们也运用各种材料来诠释自己的艺术作品。材料的属性与内涵是每一幅绘画作品的重要组成部分。本文行文将以媒介材料发展的历史为线,从蛋彩坦培拉的流行,油性媒介在坦培拉的大量使用,到油画产生为轴,为本篇论文的研究脉络。通过仔细临习其材料运用历史转折点的艺术作品,制备当时这些艺术家所运用的材料与工具,通过临摹和自我创作来体验其材料性,来探究油性媒介材料在绘画创作中的重要影响。油画的出现是艺术史上十分具有历史意义的事件,它丰富了人们视觉和精神世界,而油画的诞生便是油性媒介材料对于传统技法的渗入开始的,种类繁多的油性媒介材料为我们的创作提供了更多的可能性。材料媒介是艺术家创作艺术作品时的外化形式。媒介材料同时也展现了其创作绘画语言和个人的创作思想脉络,可能在早期创作时油性媒介材料以其优秀物理和化学的性能吸引着众多油画家们创作使用,但随着时代文化观念的改变油性媒介材料以其丰富的材料性和材料语言让更多的艺术家们将它加入到自己的艺术创作之中。
[Abstract]:Oil painting media materials are now more easily available and used than before, and modern technology has eliminated many of the inherent shortcomings of this painting material, making it easier for artists to operate and to use in their own creations. The use of a variety of media materials in the same work reduces the distance between paintings. With the impact of contemporary art on the variety of painting ways and works, many art colleges and universities in the oil painting specialty teaching, facing the market of new oil media materials try to explore very little. In most colleges and universities, there is no detailed introduction to the properties of oil media materials in basic teaching. At the same time, it follows the rise of western postmodernism and contemporary art, which leads to the blind follow psychology of people, negates the painting nature of painting art (especially oil painting), overemphasizes the subjective consciousness and philosophy idea of art. No more attention and emphasis on the technical experience in painting. Contemporary artists are becoming more aware that materials are the medium of painting, and artists who have greatly broadened their ideas also use various materials to interpret their works of art. The property and connotation of material is an important part of every painting. This article will take the history of media material as the line, from the popularity of egg color Tampella, the extensive use of oil media in Tampella, to the production of oil painting as the axis of this paper. By carefully studying the works of art at the turning point of their history, preparing the materials and tools used by these artists at that time, and experiencing their materiality through copying and self-creation, To explore the important impact of oil media materials in painting creation. The appearance of oil painting is a very historic event in the history of art. It enriches the visual and spiritual world of people. A wide variety of oil media materials for our creation provides more possibilities. The material medium is the externalized form when the artist creates the artistic work. At the same time, media materials also show their creative painting language and personal creative thinking. It is possible that oil media materials attracted many oil painters for their excellent physical and chemical properties when they were created in the early years. However, with the change of cultural concepts of the times, oil media materials with their rich material and material language make more and more artists add it to their artistic creation.
【学位授予单位】:湖北美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213

【参考文献】

相关期刊论文 前3条

1 张卫海;;综合材料在当代油画艺术中的运用方法[J];艺术评论;2008年09期

2 马新平;;浅论油画艺术中材料的功能作用[J];美术大观;2007年08期

3 肖玉明;;油画底子的制作[J];美术大观;2001年02期



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