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谈我对中国现实主义油画的理解

发布时间:2018-04-28 22:32

  本文选题:现实主义 + 民族性 ; 参考:《沈阳师范大学》2013年硕士论文


【摘要】:现实主义是绘画中的一种重要的表现手法,在国内外的艺术创作中得到广泛应用,在油画的发展中更是一直占据着主流的地位。近一百年,现实主义油画在中国得到了长足的发展。通过对相关文献的学习,我认为油画特别是现实主义油画在中国的发展经历了四个重要的阶段,并且每个阶段都有其发展的特点。 出于对现实主义油画的学习和理解,我创作了油画“历史的记忆”。在这幅油画的创作实践中以及对相关经典画作的观摩中,我对现实主义油画有了两点重要的体会。第一点是,现实主义油画在中国的发展要注意挖掘中国的文化底蕴,将中国文化以现实主义手法表现出来;另外一点是,在绘画的题材选择上要注重典型性,,将能表现核心价值的或者是具有特点的、民族性的东西作为创作的主体。只有把握好这两点,将中国文化的传承与西方现实主义油画技法相结合,现实主义油画才能得到更好的发展。
[Abstract]:Realism is an important way of expression in painting. It has been widely used in art creation at home and abroad, and has always occupied the mainstream position in the development of oil painting. In the last hundred years, realistic oil painting has made great progress in China. Through the study of relevant documents, I think that oil painting, especially realistic oil painting, has experienced four important stages in China, and each stage has its own characteristics of development. Out of the study and understanding of realistic oil painting, I created oil painting the memory of History. In the creation of this oil painting and the related classic paintings, I have two important experience of realistic oil painting. The first point is that the development of realistic oil paintings in China should pay attention to excavating the cultural background of China and showing the Chinese culture in a realistic way. The other point is that in the selection of painting subjects, attention should be paid to the typicality of painting. Take as the main body of creation what can express the core value or has the characteristic, the nationality. Only by grasping these two points, combining the inheritance of Chinese culture with the techniques of western realistic oil painting, can realistic oil painting get a better development.
【学位授予单位】:沈阳师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213

【参考文献】

相关期刊论文 前4条

1 崔国强;;试论我国具象油画发展的特征及趋势[J];安阳师范学院学报;2008年03期

2 唐钒;;略论中国写实主义油画的潜力[J];美术大观;2011年11期

3 张洪忠;关于中国的写实主义油画[J];齐鲁艺苑;1990年04期

4 王敏;王承;;论写实主义油画在中国的良性发展[J];社科纵横;2006年01期

相关硕士学位论文 前1条

1 金昌浩;论中国新写实主义油画[D];延边大学;2007年



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