宾卡斯绘画材料讲习班研究

发布时间：2018-04-29 00:20

本文选题：宾卡斯 + 绘画材料技法讲习班　；参考：《江西师范大学》2016年硕士论文

【摘要】：目前,中国艺术家对绘画材料和技法的理解和研究日渐出现了深入的趋势。早在建国初期,中国油画的创作和教学相对封闭,几乎是依附或套用苏联教学模式。中国油画工作者们对于西方传统油画材料技法的了解大都依附于少数留洋画家的散记或没有实践经验的配方和媒介制作方法等。如果去研究这其中的发展历程,应该都越不过宾卡斯先生来华开设绘画讲习班这件事。1987年,宾卡斯先生应邀在中央美院开设为期一月的材料与技法的讲习班,他比较系统、深入地讲授了西方绘画技法,尤其对油画技法材料的制作与运用作了详细的介绍。宾卡斯绘画材料讲习班对之后中国油画的发展影响起到了积极的推动作用。本文试图对该讲习班的教学作一次深入的梳理,并分析其技法传承和实践上的拓展阐释其对中国油画发展的意义。
[Abstract]:At present, Chinese artists' understanding and research on painting materials and techniques are becoming more and more in-depth. As early as the founding of the people's Republic of China, the creation and teaching of Chinese oil paintings were relatively closed and almost adhered to or applied to the Soviet teaching model. Chinese oil painting workers' understanding of the techniques of traditional western oil painting materials mostly depends on the notes of a few foreign painters or the formula and medium making methods without practical experience. If we go to study the course of this development, it should be far from the fact that Mr. Binkas came to China to set up a painting workshop. In 1987, Mr. Binkas was invited to hold a one-month workshop on materials and techniques at the Central Academy of Fine Arts. He was relatively systematic. The western painting techniques are taught in depth, especially the production and application of oil painting technique materials are introduced in detail. Binkas painting materials workshop has played a positive role in promoting the development of Chinese oil painting. This paper attempts to make a thorough combing of the teaching of the workshop, and analyzes its technical heritage and practical expansion to explain its significance to the development of Chinese oil painting.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J213

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