新疆主题性油画创作的价值研究

发布时间：2018-04-29 02:43

本文选题：新疆 + 主题性　；参考：《新疆师范大学》2013年硕士论文

【摘要】：主题性油画创作从50年代开始一直到文革前后，无论从主题还是数量都达到了巅峰，这个时期的创作都是从历史革命主旋律出发来服从政治变革，创作的选题和内容以及表达的思想都围绕那个特定时期和特殊环境下，从政治的角度和范围来进行的主流创作。改革开放以后，文艺政策转变，政治不在占据全部空间，历史革命开始弱化，绘画本身的实质开始受尊重，主题性绘画创作的方向开始了大幅度的转型。20世纪80年代中国向世界的全方位开放，成就了现代化的社会主义市场经济体制的转变，思想解放和观念更新加快了社会转型的进程，由于西方文化的传入，中国油画创作受多元化影响，在表现形式上积极创新，各种流派相继出现，艺术创作的总体环境变的轻松自由，不可避免的在一段时间内，主题性油画创作出现了消弱的趋势，这一时期主题性油画内涵缺失的现象，引起了国内艺术家的担忧和反思，呼唤主题性绘画创作的复兴变的越发的强烈。随着2005年“国家重大历史题材美术创作工程”的启动以及2012年4月20号“国家主题性美术创作研究中心”成立，主题性美术创作得到回归，并出现了繁荣发展的大好趋势。当代主题性油画创作开始立足现实，关注时代精神，以人为本注重生存环境，体现精神内涵，简单来说就是关注社会、正视历史、直面现实。新疆主题性油画创作从20世纪五六十年代开始，以建国初期比较火热的现实主义为主流，以主题性创作为根本，构成新疆当代油画的基本形态，本文通过论述新疆主题性油画创作的价值，以期弥补新疆主题性油画创作理论研究方面文献的不足。通过论述新疆主题性油画创作的概述和发展，对主题性油画创作的内涵、特点以及时代特征的分析来提升人们对新疆主题性油画的民族价值和意义的了解和认知，从新疆主题性油画创作的发展历程及主题性画家和他们经典作品的梳理和介绍来阐述当代新疆主题性油画创作，在传统的基础上迅速发展变化的原因和过程；通过重点评述消费时代背景下，新疆主题性油画创作的实际推广价值，从快消时代的今天，阐述国内现实和时代精神的大背景下，怎样才能树立新疆主题性油画创作群体的责任意识以及应该承担的社会责任，继而，进一步探索新疆主题性油画创作在多元化的价值取向背景下以及艺术市场繁荣的前提下所引发的问题及解决办法，最后从当前的新疆主题性油画发展现状入手，通过地域文化资源的利用，来探索新疆主题性油画创作发展的趋势，并重点以疆内外主题性画展为例，阐述新疆主题性油画创作的宣传推广价值所在。
[Abstract]:From the 1950s to the beginning of the Cultural Revolution, the thematic oil painting creation reached its peak in terms of both the theme and the number. The creation of this period was based on the theme of the historical revolution to serve the political transformation. The topics, contents and ideas expressed in the creation revolve around the mainstream creation from the political angle and scope under that particular period and special environment. After the reform and opening up, the policy of literature and art changed, politics did not occupy all the space, the historical revolution began to weaken, and the essence of painting itself began to be respected. The direction of thematic painting creation began a great transformation. In the 1980s, China opened to the whole world, and achieved the transformation of the modern socialist market economy system. Ideological emancipation and concept renewal have accelerated the process of social transformation. As a result of the introduction of Western culture, Chinese oil painting creation has been influenced by diversity, and has been actively innovated in its forms of expression. Various schools have emerged one after another. The overall environment of artistic creation has become relaxed and free, and it is inevitable that within a period of time, thematic oil painting has shown a trend of weakening. In this period, the lack of connotation of thematic oil paintings has aroused the concern and reflection of domestic artists. Calling for the revival of thematic painting creation is becoming more and more intense. With the launch of the National Major Historical subject Art creation Project in 2005 and the establishment of the National thematic Art creation Research Center on April 20, 2012, the thematic art creation has been returned, and a good trend of prosperity and development has emerged. Contemporary thematic oil painting creation began to base on reality, pay attention to the spirit of the times, people-oriented focus on the living environment, reflect the spiritual connotation, in short, is to pay attention to the society, face history, face the reality. Xinjiang's thematic oil painting creation began in the 1950s and 1960s, with the hot realism in the early days of the founding of the people's Republic of China as the mainstream and the thematic creation as the fundamental basis, constituting the basic form of Xinjiang's contemporary oil painting. This paper discusses the value of thematic oil painting creation in Xinjiang in order to make up for the lack of literature in the theoretical research of thematic oil painting creation in Xinjiang. By discussing the outline and development of the thematic oil painting creation in Xinjiang, and analyzing the connotation, characteristics and time characteristics of the thematic oil painting creation, this paper promotes people's understanding and cognition of the national value and significance of the thematic oil painting in Xinjiang. From the development course of Xinjiang thematic oil painting creation and the combing and introduction of their classical works, this paper expounds the reason and process of the rapid development and change of contemporary Xinjiang thematic oil painting creation on the basis of tradition. By focusing on the background of the consumption era, the practical promotion value of the thematic oil painting creation in Xinjiang, and the background of the domestic reality and the spirit of the times, How can we establish the sense of responsibility and social responsibility of the thematic oil painting group in Xinjiang, and then, Further explore the Xinjiang thematic oil painting under the background of diversified value orientation and art market prosperity under the premise of the problems and solutions, and finally from the current situation of Xinjiang thematic oil painting development, Through the use of regional cultural resources, to explore the development of thematic oil painting in Xinjiang, and focus on the theme of Xinjiang painting exhibition as an example, expound the promotion value of Xinjiang thematic oil painting creation.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】