油画创作中藏族题材的研究

发布时间：2018-04-29 03:03

本文选题：藏族题材 + 文化内涵　；参考：《江苏师范大学》2013年硕士论文

【摘要】：在中国近现代美术史上，关于藏族题材的油画创作曾出现了三次创作的热潮，不同时期的油画家们创作了大量的优秀作品，藏族题材成为了油画艺术创作的重要题材之一，深入研究对藏族题材描绘的背后蕴含的文化内涵，深刻的体现了其独特的文化。本文首先通过藏族题材这一创作背景过程的梳理，列举出每一阶段的代表画家，从画家们的独特绘画风格中阐释其创作的动机，以及对于藏族油画创作最原始的信仰。不同时期表现出来的藏族油画特征和文化意义是不尽相同的，本文对于藏族油画创作时期的发展顺序，将其分为三个时期，以不同时期的代表画家以及他们的作品分析、归纳总结了这三个时期的发展特征。基于以上的分析、总结，本文着重探讨了在这些热潮背后所隐藏的文化内涵。藏族地区有着自己悠久的历史文化，而油画的传入或多或少打破了画家们对于艺术创作的传统认识，在中国油画创作史上，藏族地区的油画创作最能体现中国油画的创作特色，也最能代表油画创作之于中国的民族印记和民族符号，审美独特的地域文化、神秘的宗教文化、传统的民族文化以及对人文精神的追求，最后对于藏族题材油画的创作未来的发展提供出了新的探索，需要体现时代性和多元化的演绎。
[Abstract]:In the history of modern Chinese art, there have been three creative upsurge in oil painting of Tibetan subjects. Oil painters of different periods have created a large number of excellent works, and Tibetan themes have become one of the important subjects of oil painting art creation. Deeply study the cultural connotation behind the depiction of Tibetan theme, and deeply embody its unique culture. This article first through the Tibetan subject matter this creation background process combs, enumerates each stage representative painter, from the painter's unique painting style explains its creation motive, as well as to the Tibetan oil painting creation most primitive belief. The characteristics and cultural significance of Tibetan oil paintings are different in different periods. This paper divides the development sequence of Tibetan oil paintings into three periods, which are represented by the painters of different periods and their works. The development characteristics of these three periods are summarized. Based on the above analysis and summary, this paper focuses on the hidden cultural connotations behind these upsurge. Tibetan regions have a long history and culture of their own, and the introduction of oil paintings has more or less broken the traditional understanding of artists' artistic creation. In the history of Chinese oil painting creation, oil painting creation in Tibetan areas can best reflect the characteristics of Chinese oil painting creation. It also best represents the national imprint and national symbols of oil painting in China, the unique regional aesthetic culture, the mysterious religious culture, the traditional national culture and the pursuit of the humanistic spirit. Finally, it provides a new exploration for the future development of Tibetan oil painting.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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