项圣谟的山水画研究

发布时间：2018-04-29 11:20

本文选题：项圣谟 + 山水画　；参考：《南京师范大学》2014年硕士论文

【摘要】：项圣谟出生于明末富甲一方的嘉兴项氏,其家族的丰厚收藏使得他在学习传统山水画时有着得天独厚的优势。项圣谟山水画前后两期的艺术特色稍有不同,主要表现为后期的山水画更为炼达浑厚。在总体上,项圣谟的山水画则兼有写意、写实与仿古三种风格。项圣谟的山水画不仅展现了他对山水的理解和认识,还寄寓了各种人文情怀,即隐逸情怀、忧民情怀及遗民情怀。明亡之前,项圣谟山水画主要体现的是对隐逸生活的赞颂和憧憬,兼有对人民疾苦的同情与无奈。明亡之后,项圣谟山水画的感情基调为之一变,主要表现为对亡明的悲恸与故国的思念。项圣谟是一位多产的画家,存世作品总量亦在百幅之上,其中大部分作品是山水画。从这些作品的题跋中我们可以知道项圣谟的创作目的主要是用于馈赠友人和自我欣赏,亦有一部分用于仿古学习。而明亡之后,鬻画自给也成为了项圣谟创作的目的之一。影响项圣谟山水画创作的主要因素则包括以自身兴趣与态度为主的主观因素,以及以家世家藏、交游广泛、时代背景为主的客观因素。项圣谟作为嘉兴画派的中流砥柱,其影响虽不若吴门画派中的沈周、文徵明,松江画派中的董其昌那么广泛,但也是我们研究明末清初江南绘画史时不容忽视的一位画家。
[Abstract]:Xiang Shengmo was born in the late Ming Dynasty in Jiaxing Xiang, his family's rich collection made him have a unique advantage in studying traditional landscape painting. Xiang Shengmo landscape painting before and after the two stages of the artistic characteristics slightly different, mainly for the later stage of landscape painting more refined. On the whole, Xiang Shengmo's landscape painting has three styles: freehand brushwork, realistic painting and archaic painting. Xiang Shengmo's landscape painting not only shows his understanding and understanding of landscape, but also contains various humanistic feelings, that is, seclusion, concern for the people and feelings of the bereavement. Before the death of Ming Dynasty, Xiang Shengmu's landscape paintings mainly reflected the praise and longing for hermit life, as well as sympathy and helplessness for the people's suffering. After the death of Ming Dynasty, the emotional tone of Xiang Sheng-mo 's landscape painting changed, mainly manifested in mourning and yearning for his homeland. Xiang Shengmo is a prolific painter with a total of 100 works, most of which are landscape paintings. From the postscript of these works, we can know that Xiang Shengmo's creative purpose is mainly to give gifts to friends and self-appreciation, and some of them are also used for archaic learning. After the death of Ming Dynasty, Yu painting self-sufficiency also became one of the purposes of Xiang Shengmo's creation. The main factors influencing Xiang Sheng-mo 's landscape painting creation include subjective factors with his own interest and attitude, as well as objective factors with family and family, extensive acquaintance and background of the times. As the mainstay of Jiaxing painting school, Xiang Shengmo's influence is not as extensive as Shen Zhou's, Wen Zhengming's and Dong Qichang's, but it is also a painter that can not be ignored when we study the painting history of Jiangnan in the late Ming and early Qing dynasties.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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