西方绘画中“点”的属性语言

发布时间：2018-04-30 17:00

本文选题：西方绘画 + 点　；参考：《吉林大学》2014年硕士论文

【摘要】：康定斯基在他的《点线面》一书里，把“点、线、面”看成艺术作品本身的建筑材料，纯粹的“点、线、面”是绘画创作的基本造型语汇。时至今日的网络数字时代已经充分证明了这一点。“点”是绘画中的最小单元细胞，视觉传达艺术中最基本的元素。从古至今，纵观视觉艺术的演化，我们在缤纷的艺术世界中对“点”又作何诠释呢？！ “点”——纯粹的抽象形态，可以大到地球或无限的宇宙，也可以小到我们的一般视觉无法察觉。如果我们从视觉形象的角度去辨别“点”在美术史的足迹，中世纪的镶嵌画是较早的印记。严格意义上来说，镶嵌画应该属于材料应用的范畴，但它是以几何石子作为构成壁画的基本元素，那些五光十色的彩色石块，以点的排列方式，透过彩色玻璃窗斑驳的阳光，一幅幅无以伦比的宗教光晕，把人的灵魂推到了上帝的身边，而耶稣复活的巨大光点，永远闪耀着创造的光芒。 “点”是一束光芒，一块温暖发亮的宝石…… 十七世纪荷兰画家伦勃朗是光的诗人，他让我们重新审视光点的深邃，然而维米尔却把光点的飘忽不定，游离与活泼，如行云流水般的自在都瞬间凝固在画面里。那点点光斑，如同“点”在呼吸。随着牛顿的光谱分析与十九世纪科学对光的重新发现，诞生了印象画派，而修拉是这一画派的叛逆者，，他带着对客观的虔诚与严谨，完全用色点排列整个画面，通过欣赏者的视觉将所有的斑点还原成一幅阳光明媚的画作。修拉用点状的色彩表现具象的画面，那么，印象主义之后的荷兰画家凡高是把个人的情感融入客观的表达之中。他的每一笔都是感情与造型的“点”，那些炽热的黄色，忧郁的蓝色形成的大小、长短的“色点”“色线”都深深地留在人们的色彩记忆中。而欧普艺术（光效应艺术）家瓦萨列里是把“色点”“色片”变成了光的视觉游戏，“点”是造型的本身。在当代艺术中，用点造型的例子不胜枚举，无论平面与空间，材料与行为，对“点”的应用在无限放大。艺术是人类思维活动的结晶，任何时代的科学，哲学，数学，化学等人类认识世界的进化都推动着艺术的演化。时代环境、主客观条件，新工具的应用等都会影响每个人的直觉判断，随着当代各艺术门类边界的逐渐模糊，对传统艺术的不断反思、多维观念的刷新，“点”的触角已经扩展到艺术的各个维度，所以，杜尚说：“我的艺术就是我的生存”。本文从“点”的基本概念与属性出发，探讨了“点”在西方绘画中的历史演化与应用，以及作为能动的艺术主体——人的巨大创造潜力。
[Abstract]:In his book "Dot Line, Line face", Kandinsky regards "dot, line, face" as the building material of the work of art itself, and pure "dot, line, face" is the basic modeling vocabulary of painting creation. Today's digital age of the Internet has fully proved this point. Dot is the smallest cell in painting and the most basic element in visual communication art. From ancient times to now, throughout the evolution of visual art, we in the colorful art of the world of "point" and how to interpret it!!! Dot-A purely abstract form that can be as large as Earth or infinite, or as small as our general vision is imperceptible. If we discern the footprints of dots in art history from the perspective of visual images, medieval mosaics are an early imprint. Strictly speaking, mosaics should belong to the scope of material application, but it is made of geometric stones as the basic elements of the mural, those colorful stones, arranged in the form of dots, through the stained glass window mottled sunlight. Unparalleled religious halos push the human soul to God's side, and the great light of Jesus' resurrection always shines with the light of creation. Dot is a ray of light, a warm glowing gem. The 17th century Dutch painter Rembrandt was a poet of light, who made us re-examine the depth of light, but Vermeer solidified it in a moment. The spot of light, like the "dot" in the breath. With Newton's spectral analysis and the scientific rediscovery of light in the nineteenth century, impressionism was born, of which Sura was a rebel, who, with a pious and strict view of objectivity, arranged the whole picture entirely with color dots. All the spots are reduced to a sunny painting by the viewer's vision. Seurah used dot color to express concrete images, so the Dutch painter Van Gogh after impressionism incorporated personal emotion into objective expression. Each of his strokes is the "dot" of emotion and shape, the size of the hot yellow, the blue blue, the length of the "color dots" are deeply in people's color memory. Op art (light effect art) Vasarieri is the "color dot" and "color film" into the visual game of light, "dot" is the modeling itself. In contemporary art, there are numerous examples of point modeling, whether plane and space, material and behavior, the application of "point" in infinitely enlarged. Art is the crystallization of human thinking, and the evolution of science, philosophy, mathematics, chemistry and so on promotes the evolution of art. The environment of the times, subjective and objective conditions, and the application of new tools will affect the intuitive judgment of everyone. With the blurring of the boundaries of various categories of contemporary art, the continuous reflection of traditional art, the renewal of multi-dimensional concepts, Duchamp's tentacles have expanded to all dimensions of art, so Duchamp says, "my art is my existence." Starting from the basic concept and attribute of "point", this paper discusses the historical evolution and application of "dot" in western painting, and the great creative potential of human being, the active subject of art.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【共引文献】