湖南滩头年画艺术特色的研究
发布时间:2018-05-01 07:39
本文选题:滩头年画 + 门神 ; 参考:《湖南师范大学》2013年硕士论文
【摘要】:中国的传统民间工艺美术,有着悠久的历史,给人们留下了丰厚的遗产,它所独有的特别的风格、形式以及技巧不仅闻名世界,同时也为世人津津乐道。传统民间工艺美术作为我们民族文化的组成部分之一,对发展现代的美术创作提供了宝贵的借鉴价值。 年画,这门古老的民间艺术产生的年代要比卷轴画更早,并且在古代曾经出现过非常的兴盛阶段。年画艺术出生于民间、植根于民间、装饰于民间。年画艺术在漫长的成长过程中渐渐适应了广大人民群众的生活以及心理上的需求,形成独一无二的新的年画形式。年画不仅给广大人民群众在日常生活中带来乐趣,并且在小小的年画中还反映了广大人民群众的心理期盼,同时也在节日里增添了喜庆的气氛。年画的题材相当丰富,包括人物、山水、花鸟虫鱼、各类历史传说等等,而其中的重点则是反映当时广大人民群众的真实生活。年画的作者大多数都是民间艺人,并非科班出身,可以算的上是地道的农民画家,而这些农民画家与广大人民群众在思想感情和审美情趣上比较一致,所以他们创造的作品往往更容易被广大人民群众所接受。年画在为群众带来视觉盛宴的享受的同时,也鼓励普通大众在生活中应该积极乐观,大胆向前。可以说,在没有电视和报刊杂志的古代,年画就是传播最广的一个寓教于乐的媒介,也是当时影响最大的民间文化的百科全书。 年画艺术根植于民间文化的沃土之上,历尽沧桑而久盛不衰,是中国民族文化的一株奇葩,也是人类共有的文化财产。作为中华民族的子孙,深入了解并继承这一宝贵遗产,向世界展示中国年画的风采,并且让它继续发扬光大,这是我们必须担负的责任与义务。 本文重点指出:要想让滩头年画得到更好的发展,就必须要保证滩头年画本身特有的艺术特色不受到现代商业化的破坏,保持她的原汁原味,同时要加大宣传力度,让更多的人了解这一民间传统工艺美术,让更多的人喜欢这一民间艺术。
[Abstract]:Chinese traditional folk arts and crafts have a long history, leaving people a rich heritage, its unique special style, form and skills are not only famous in the world, but also enjoyed by the world. As one of the components of our national culture, traditional folk arts and crafts provide valuable reference value for the development of modern art creation. New year paintings, this ancient folk art generation earlier than scroll painting, and in ancient times there was a very prosperous stage. The art of New year painting was born in the folk, rooted in the folk, decorated in the folk. The art of New year Pictures has gradually adapted to the life and psychological needs of the broad masses of people in the long growing process, forming a unique new form of New year Pictures. The New year Pictures not only bring fun to the masses in their daily life, but also reflect the psychological expectations of the broad masses of the people in the small New year Pictures, and at the same time add a festive atmosphere to the festival. The theme of New year's pictures is quite rich, including characters, mountains and rivers, flowers, birds, insects and fish, all kinds of historical legends and so on, and the emphasis is to reflect the real life of the broad masses of people at that time. Most of the authors of New year's paintings are folk artists, not from a scientific background. They can be counted as authentic peasant painters, and these peasant painters are more in line with the broad masses of the people in terms of their thoughts, feelings, and aesthetic tastes. Therefore, the works they create tend to be more easily accepted by the broad masses of the people. The New year Pictures not only bring the enjoyment of the visual feast to the masses, but also encourage the ordinary people to be optimistic and bold forward in their life. It can be said that in the ancient times when there was no television and newspapers and magazines, New year's pictures were the most widely spread medium of education and music, and also the encyclopedia of folk culture which had the greatest influence at that time. The art of New year's Pictures is rooted in the fertile soil of folk culture. It is a wonderful flower of Chinese national culture and a common cultural property of mankind. As the descendants of the Chinese nation, it is our duty and duty to deeply understand and inherit this precious heritage, to show the world the style of Chinese New year paintings, and to let it continue to carry forward. This article emphatically points out: in order to make the beachhead New year pictures better development, we must ensure that the unique artistic characteristics of the beachhead New year paintings are not damaged by modern commercialization, maintain their original flavor, and at the same time increase their propaganda efforts. Let more people understand this folk arts and crafts, let more people like this folk art.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J218.3
【参考文献】
相关期刊论文 前2条
1 吴卫光;中国古代建筑的门饰与门神崇拜[J];华南师范大学学报(社会科学版);2002年04期
2 吕品田;;卷首语[J];美术观察;2007年06期
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