谈“生活体验”在近现代中国人物画创作中的价值

发布时间：2018-05-01 16:10

本文选题：生活体验 + 近现代　；参考：《沈阳大学》2014年硕士论文

【摘要】：艺术家进行创作的动机，无疑是要将生活的感悟与感动用自己特殊的方式展示出来，绘画创作自然成为独属于画家的一种对于描绘生活的方式。近现代——社会动荡不安的年代，人饱受着列强的压迫与战争的痛苦，吃饱穿暖已非常困难，何谈进行艺术创作。但在那一时期的许多大师们对于艺术的热爱令人肃然起敬，，他们不仅没有因为生活与社会环境的困难而放弃绘画创作，而是用自己的一生与“一切困难”进行斗争。他们“迎难而上”，冲破传统的枷锁，摆脱封建教育的束缚，吸收西方科学的绘画创作方法，进行学习与创新，这种为了艺术而奉献的精神足以让人“仰望”。本文主要通过对近现代以及当代大师的作品、艺术主张与创作思想进行剖析，分为三部分说明生活体验无论是在近现代还是当代，对于绘画创作都具有不可替代的作用。第一部分首先简单的阐述“生活体验”的涵义，并把生活体验分为两点：一是自发体验，二是自觉体验。其次对如何正确的“创作”生活分两点进行表述，一是要求艺术家在进行创作时，用艺术的眼光观察生活，亲近自然，提高自身的修养。二是用正确的心态“活着”创作。第二部分主要介绍近现代中国人物画的发展，以及具体分析生活体验在近现代艺术创作中的精神内涵与现实意义。首先对近现代中国人物画的发展由封闭走向开放进行简单的了解，并说明历史与时代在进步，艺术创作只有与时俱进才会被历史“选择”。其次以徐悲鸿、蒋兆和的艺术主张，创作价值观，作品为主要阐述与论述的对象进行剖析，进一步证明艺术创作离不开生活体验。最后阐述当代生活体验与中国人物画创作的关系，首先说明生活体验是有地域性、时代性、民族性。其次以黄胄的一句话“一个画家，人有多高，画有多高”为例证说明在生活面前，要虚心学习，以积极、乐观的心态生活与进行艺术创作。通过当代艺术大师的绘画作品体会他们的生活状态与艺术精神。丛古至今有层出不穷的艺术大师与事例证明，“生活体验“在艺术创作中的具有决定性的作用，这就提醒与启发当代的绘画创作者不要当“井底之蛙”，“坐井观天”的自以为是，世界之大，生活的酸甜苦辣犹如画家笔下的颜色一样多彩缤纷。走入生活，收集素材，进行创作才能是作品具有其真正的社会价值。
[Abstract]:The motive of the artist's creation is undoubtedly to show the feeling and emotion of life in his own special way, and painting creation naturally becomes a kind of way of depicting life that belongs to the painter alone. In modern times, when society was in turmoil, people suffered from the oppression of the great powers and the suffering of war. It was very difficult to eat, clothe and warm. However, many of the masters in that period had an admirable love of art. Not only did they not give up painting because of the difficulties in life and social environment, but they fought "all difficulties" with their own lives. They "face the difficulties", break through the shackles of the tradition, get rid of the shackles of feudal education, absorb the western scientific methods of painting creation and study and innovate. This spirit of dedication for art is enough to make people "look up". This article mainly through the modern and contemporary master's works, the art proposition and the creation thought carries on the analysis, divides into three parts to explain the life experience whether in the modern or the contemporary, has the irreplaceable function to the painting creation. The first part simply explains the meaning of "life experience", and divides the life experience into two points: one is spontaneous experience, the other is conscious experience. Secondly, how to correctly "create" life is described in two aspects: one is to require artists to observe life with artistic eyes, to get close to nature, and to improve their self-cultivation. The second is to use the correct state of mind to "live" creation. The second part mainly introduces the development of modern Chinese figure painting, and analyzes the spiritual connotation and practical significance of life experience in modern art creation. First of all, the development of modern Chinese figure painting from closed to open to a simple understanding, and show that history and the times in progress, art creation only with the times will be history "choice". Secondly, the author analyzes the art propositions, creative values and works of Xu Beihong and Jiang Zhaohe, and further proves that artistic creation can not be separated from life experience. Finally, the relationship between the contemporary life experience and the creation of Chinese figure painting is expounded. Firstly, it shows that the life experience is regional, epochal and national. Secondly, Huang Zhou's sentence, "how tall a painter is, how high a painting is" is an example to illustrate that in front of life, we should learn with an open mind, live and create art with a positive and optimistic attitude. Through the paintings of contemporary masters of art to understand their living conditions and artistic spirit. There are numerous masters of art and examples that prove that "life experience" plays a decisive role in artistic creation, which reminds and inspires contemporary painting creators not to be "frog from the bottom of the well". The world is big, and life is as colorful as the colors of painters. Only by entering life, collecting materials and creating works can works have their real social value.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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