微时代：细胞插画与当下事件的“无意识”

发布时间：2018-05-01 16:16

本文选题：看图识字 + 视觉文化　；参考：《大连工业大学》2014年硕士论文

【摘要】：“看图识字”的视觉文化崛起，数以百计、千计、百万计的视觉图像通过传统的或者新兴的如微博、微信等各种介质毫不间断的冲击着我们的大脑，“看图识字”的视觉文化已经逐渐超越单纯的文字而成为我们日常生活不可或缺，或者换句话说，也是躲避不了的了。从仓颉造字，文字的创造演变一度被认为是文化进步的有利证明，而我们的日常生活似乎从“看字识图”一步步演变为“看图识字”了，难道是一种退步吗？微时代大数据兴起之后，社会化媒介被个体化，受当代犬儒主义文化渗透的个体似乎找到一个表达的出口。传播当中的信息充满真假难辨或真假混杂的情形，谁传达了多少程度的真实，向谁传达多少程度的真实，多少程度的真实被谁接收总之，信息传播当中的真实度已经经过多次的“加减乘除运算”了。“中国式”现象的出现很大程度上是当代犬儒主义文化意识影响衍生出的，我们变得对一切都“无所谓”，，任人摆布的“像狗一样的活着”，对我们所处的日常生活和对所发生的事件的不满,没有实际的行动,仅仅利用虚拟的媒介来冷嘲热讽、以谑泄怒的用玩世不恭态度传达自己的不满的信息，而这种仅有的表达，往往还不是个体真实的信息表达，混杂着虚假的成分。毋庸讳言，细胞插画与当下事件的“无意识”，不是否定细胞插画和当下事件受到意识的影响，就是要将细胞插画这一当代插画“无意识”的介入到当下事件，从而“无意识”的再现当下事件。也就是“无意识”痕迹的将当下事件与细胞插画这一当代插画中某一特定片段交织在一起，将两者看似“无意识”的相互介入，这也可以说是一种理智与情感、理性与感性相互“无意识”的介入。当代插画创作者试图以自身微小的视角来窥视当下事件，“无意识”的将细胞插画和当下事件结合，再不给观者带来负担的情况下，反映当下事件以及对其的个人情感。在当今时代背景下，社会环境发生着翻天覆地的变化，细胞插画之所以有存在的意义，就是在于这一视觉文化形式能够剥离“当下”，重塑“当下”，从而反映“当下”。视觉文化的崛起很大程度上是对我们当今日常生活的解构，细胞插画是剥离“当下”，重塑“当下”，是一个对当下事件或者现象的解构，剥离当下事件或现象，从而以一种视觉化方式将其重塑，继而呈现出来。
[Abstract]:With the rise of visual culture, hundreds, thousands, and millions of visual images, through traditional or emerging media such as Weibo, WeChat, etc., are constantly impacting our brains. The visual culture of "picture literacy" has gradually gone beyond mere words to become an indispensable part of our daily life, or, in other words, cannot be avoided. From Cangjie to create characters, the creation and evolution of characters was once regarded as a good proof of cultural progress, but it seems that our daily life has evolved from "reading words and pictures" to "reading pictures" step by step. Is it a retrograde step by step? After the rise of big data, social media was individualized, and the individual who was infiltrated by contemporary cynicism seemed to find an outlet for expression. The information in the process of communication is full of situations where truth and falsehood are difficult to distinguish or are mixed up, who conveys how much truth, to whom, to how much truth, how much truth is received by who, in short, The truthfulness of information dissemination has gone through many "addition, subtraction, multiplication and division operations." The emergence of the phenomenon of "Chinese style" is to a large extent derived from the influence of contemporary cynicism cultural consciousness. We have become "indifferent" to everything, "living like a dog" at the mercy of others. There is no real action against the daily life we live in and the events that take place, only the use of virtual media to ridicule, to use cynicism to convey a message of discontent in a playful and cynical manner, and this only expression, Often is not the individual real information expression, mixed with false elements. Needless to say, the "unconsciousness" of cell illustrations and current events is either to deny that cell illustrations and current events are influenced by consciousness, or to involve the "unconscious" of cell illustrations into current events. Thus the unconscious reproduces the present event. That is, the "unconscious" trace interweaves the current event with the cell illustration, a particular segment of the contemporary illustration, and interacts the two seemingly "unconscious", which can be said to be a kind of reason and emotion. The intervention of "unconscious" between reason and sensibility. Contemporary illustrator tries to peek at the present event from his own tiny angle of view. "unconsciously" combines the cell illustration with the present event, and then reflects the current event and its personal feelings without putting a burden on the viewer. Under the background of the present era, the social environment is changing dramatically. The reason why cell illustrations exist is that this visual cultural form can peel off the "present", reshape the "present", and thus reflect the "present". The rise of visual culture is to a large extent the deconstruction of our daily life today. Cell illustration is to peel off the "present", to reshape the "present", to deconstruct the current event or phenomenon, to peel off the current event or phenomenon. It is then reshaped and presented in a visual way.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5

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