解读与思考：中国当代油画对影像画面的借用

发布时间：2018-05-02 01:35

本文选题：中国当代油画 + 影像画面　；参考：《华中师范大学》2014年硕士论文

【摘要】：当代油画创作面对着琳琅满目的视觉资讯,图像资源已经改变了以往对自然资源直接写生的方式,而成为当代艺术家进行创作的天然的资源。艺术家通过借用摄影、电影电视、杂志、网络等传媒所产生的各种图像,并运用各种图像处理方式来丰富自己的创作,表达自己对社会生活的观看和体悟。本文从宏观的时代文化背景入手,结合艺术家的创作案例,分析梳理了影像画面在当代油画创作中的借用现象,探究这些普遍现象背后存在的现实问题,最后提出对于艺术创作中图像借用的文化思考。本文研究内容共分为五个部分：第一部分为绪论,主要对本文的研究目的,意义以及相关理论、概念进行阐述,并从中国当代油画发展中对影像画面借用的脉络和变化谈起。第二部分对当代油画创作借用影像画面的背景进行分析,着重从大众消费文化的影响,数码、新媒体等技术的介入和人们审美价值观的转变等方面进行分析研究,这也促使得绘画创作对影像画面借用的观念和创作方法发生转变。第三、四部分是本文的重点,对当代中国油画如何借用影像画面用于创作进行了解读,着重对影像资源借用的不同类型和绘画创作方式进行分析。结合艺术家的创作案例,讨论不同艺术家通过对影像画面借用的不同形式反映对当代社会生活的体验与独特观察,也有利于深入认识中国当代艺术发展的轨迹和文化意义。第五部分客观理性的把影像借用对当代油画创作产生的影响进行分析,阐明笔者观点。呼吁艺术家提高个人艺术修养,文化内涵和思想深度,承担起自己的社会责任和文化使命,创造出具有时代精神和充满生命力的作品。希望通过以上的论述对中国当代艺术的创作产生启发和参考意义。
[Abstract]:Contemporary oil painting is faced with a wide variety of visual information, image resources have changed the way of direct painting of natural resources in the past, and become the natural resources for contemporary artists to create. By borrowing all kinds of images produced by photography, film and television, magazines, internet and so on, artists enrich their creation and express their views and understanding of social life by using various image processing methods. This paper starts with the macroscopic cultural background of the times, combines the artist's creation case, analyzes and combs the borrowing phenomenon of the image screen in the contemporary oil painting creation, and probes into the realistic problems existing behind these universal phenomena. Finally, the cultural thinking of image borrowing in artistic creation is put forward. This paper is divided into five parts: The first part is the introduction, mainly to the research purpose, significance and related theory, concept of this article, and from the development of contemporary Chinese oil painting to the context and changes of the image picture borrowing. In the second part, the background of contemporary oil painting is analyzed, which focuses on the influence of mass consumption culture, the intervention of digital, new media and the transformation of people's aesthetic values. This also promotes the painting creation to the image picture borrows the idea and the creation method to produce the transformation. Third, the fourth part is the focus of this paper, the contemporary Chinese oil painting how to borrow images for the creation of interpretation, focusing on the image resources borrowing different types and painting creative way to analyze. Combined with artists' creation cases, this paper discusses the experience and unique observation of contemporary social life reflected by different forms of images borrowed by different artists, which is also conducive to a deep understanding of the track and cultural significance of the development of contemporary Chinese art. The fifth part objectively and rationally borrows the image to the contemporary oil painting creation influence carries on the analysis, clarifies the author's point of view. It appeals to artists to improve their artistic cultivation, cultural connotation and ideological depth, to assume their own social responsibility and cultural mission, and to create works with the spirit of the times and full of vitality. The author hopes to enlighten and refer to the creation of Chinese contemporary art through the above discussion.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】