论中国人物画原创性的意义

发布时间：2018-05-05 14:42

本文选题：中国人物画 + 原创性　；参考：《曲阜师范大学》2014年硕士论文

【摘要】：纵观中国人物画的创造历程，人物画由最初的简单符号发展到当今题材多样、技法丰富的绘画，这一系列的发展变化都是历代画家不断积累、不断创造的结果。美术史只记述改变一代风尚的画家，历史上所记述的著名画家无不是在自己艺术上具有独创性的，那些具有原创性的绘画才有着较高的艺术价值，而简单的模仿只会被历史所淘汰。南宋的梁楷和近代的徐悲鸿是中国美术史上尤为典型的原创性画家，梁楷独创的减笔画使绘画有了工笔与写意之分，丰富了绘画的表现风格。20世纪的徐悲鸿更是一位划时代的画家，正是由于徐悲鸿将西方传统绘画中素描造型引入中国画中，使中国人物画在造型严谨的基础上更好的表现人物形象的内在特征，打破了原来的模式化特征。本文共分成三个章节，引言部分说明本文的研究意义和特点，提出自己的观点，第一章中说明什么是绘画的原创性以及影响绘画原创性的因素，提出原创性的意义这一论点。文章的第二章从中国历史上人物画的创造性的发展进行概述，从纵向时间上来论述每个时期的人物画创造，发现美术史记述的都是具有自己独特原创性的绘画作品，从而加以论证人物画的原创性这一观点。最后一章以梁楷、徐悲鸿两位具有典型原创性的画家为例，，从画家生平经历、独创性的绘画风格特征对原创性进行分析论述，并通过阐述他们在绘画上的原创性给当时的人物画画坛带了的巨大影响，来进一步说明人物画原创性的意义。文章最后通过结合自己的绘画创作来进一步探寻原创性的重要意义。我们应该重视人物画原创性，要在积累和学习中不断创新，把对生活的真实感受融入到自己的绘画创作中，找到属于自己的绘画的原创性。
[Abstract]:Throughout the creation process of Chinese figure painting, figure painting from the initial simple symbols to the current variety of subjects, rich techniques of painting, this series of development and change is the result of continuous accumulation and creation of the painters of the past dynasties. Art history only describes the artists who have changed the fashion of a generation. All the famous painters described in history have originality in their own art, and those paintings with originality have higher artistic value. And simple imitation will only be eliminated by history. Liang Kai of the Southern Song Dynasty and Xu Beihong of modern times are the most typical original painters in the history of Chinese art. Xu Beihong, who enriched the expressive style of painting in the 20th century, is an epoch-making painter. It is precisely because Xu Beihong introduced sketch modeling in traditional Western painting into Chinese painting. Chinese figure painting on the basis of rigorous modeling better performance of the inherent characteristics of the character image, breaking the original pattern characteristics. This paper is divided into three chapters. The introduction explains the significance and characteristics of this paper and puts forward its own viewpoint. The first chapter explains what is the originality of painting and the factors that affect the originality of painting, and puts forward the argument of the meaning of originality. The second chapter summarizes the creative development of figure painting in Chinese history, discusses the creation of figure painting in each period from the longitudinal time, and finds out that all paintings recorded in art history have their own unique originality. So as to demonstrate the originality of figure painting this point of view. The last chapter takes Liang Kai and Xu Beihong as an example to analyze the originality from the painter's life experience and original painting style characteristics. And by expounding their originality in painting to the figure painting world brought great influence, to further explain the significance of the original figure painting. In the end, the paper explores the significance of originality by combining with his painting creation. We should attach importance to the originality of figure painting, innovate constantly in accumulation and study, integrate the true feeling of life into our own painting creation, and find the originality of our own painting.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】