“70后”水墨在当代中国画发展中的意义探讨

发布时间：2018-05-05 14:42

本文选题：“70后”水墨 + 传统　；参考：《河北师范大学》2015年硕士论文

【摘要】：在中国画的进程中,水墨艺术的发展早已开始,“70后”水墨艺术家们开始登上了中国画发展的历史舞台。我们逐渐的看清楚了一个群体:一个既富有充沛精力和创造力又保持着沉着低调的一群艺术家们。他们经历了中国文化,政治,经济等全方位大幅度提高的年代,同时,也伴随着人们精神和信仰的缺失,道德感失衡和严酷的社会竞争,所以“70后”的水墨艺术家表达方式和老一辈艺术家有着非常明显的不同之处。他们大都从自身生活体验、情感、欣赏水平、趣味出发,综合多方面社会文化和心理因素,传达了现代人对传统语汇的全新体验和感受,他们的艺术创作已成为当下水墨绘画的重要组成力量之一,从这些方面来看,“70后”水墨艺术家的创作具有明显的图像学和社会学的研究价值。从艺术创作的价值来看,他们立足传统,在实践中延展传统的笔墨语言,在承接传统和前辈水墨艺术家的同时,更是积极的以自我体式推进着当代水墨艺术的创新和成长,他们的作品带有强烈的社会学意识形态和浓烈的个人式语言特征,并且不同的语言表达方式和思想,为中国水墨艺术的创作和发展带来了与众不同全新的活力,这是“70后”水墨艺术能够成为本文研究对象的最主要原因之一。本文以“70后”水墨艺术家为中心,以这些艺术家的成长生活为背景切入,对“70后”水墨艺术家在绘画中的创新性、发展性进行探究,探寻在当代时代大变迁这种背景下艺术家关注自我剖析与表达的精神模式特点,对一些代表画家与作品的简要分析入手,阐述“70后”水墨艺术家对当代中国画发展的重大意义。
[Abstract]:In the process of Chinese painting, the development of ink art has already begun, "after 70" ink artists began to step on the historical stage of the development of Chinese painting. We have come to see a group of artists who are both energetic and creative and keep a calm low-key. They have experienced a period of great improvement in Chinese culture, politics, economy, and so on. At the same time, with the lack of people's spirit and belief, the imbalance of moral sense and the harsh social competition, Therefore, "after 70" ink artist expression and the older generation of artists have very obvious differences. Most of them set out from their own life experience, emotion, level of appreciation and interest, synthesizing various social, cultural and psychological factors to convey modern people's new experience and feelings of traditional vocabulary. Their artistic creation has become one of the most important components of contemporary ink painting. From these aspects, the creation of "post-70s" ink and wash artists has obvious research value of graphology and sociology. From the point of view of the value of artistic creation, they base themselves on tradition, extend the traditional ink language in practice, and actively promote the innovation and growth of contemporary ink and wash art with self-style, while accepting the tradition and the previous generation of ink and wash artists. Their works have strong sociological ideology and strong personal language characteristics, and different ways of language expression and ideas, for the creation and development of Chinese ink and ink art has brought a distinctive new vitality. This is one of the main reasons why ink art after 70 s can be studied in this paper. This paper focuses on the "post-70s" ink and water artists, taking the growth and life of these artists as the background, and probes into the innovative and developmental nature of the "post-70s" ink and wash artists in their paintings. Under the background of the great change of the contemporary times, this paper explores the characteristics of the spiritual mode of artists' concern for self-analysis and expression, and begins with a brief analysis of some representative painters and works. This paper expounds the great significance of ink and wash artists after 70 to the development of contemporary Chinese painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

【参考文献】