以农作物为主题的花鸟画形式语言探索

发布时间：2018-05-06 23:17

本文选题：创新 + 农村风貌　；参考：《河北科技大学》2014年硕士论文

【摘要】：中国的花鸟画源远流长，可追溯到新石器时代的彩陶艺术，殷周时期的青铜器，还有汉代的画像石。花草、鸟兽、鱼虫等多种多样的纹饰经常出现在古代众多工艺品上。这些艺术形态都是在审美意识作用下产生的。然而这些并不能称之为花鸟画，因为它不是独立的绘画艺术品。直到唐代，由于当时经济发达，政治稳定，文化艺术也空前繁荣，使得花鸟画继山水之后也独立了起来，作为一种专门的画科而成立起来。传统的花鸟画大多以花卉，动物，禽鸟，草虫等为主要的表现物象，现当代的花鸟画在选择题材方面有了较大的延续和发展。随着人们生活节奏的变快，从古代以农耕为主要生产力的生活方式到现代的数字化科技化的生活方式有了翻天覆地的变化，花鸟画的创作自然受这些因素影响。然而花鸟画经历了上千年的传承，在构图和选题上已经非常成熟，现如今花鸟画在创作上要在题材上加以创新是有很大的难度的。在现当代的花鸟画创作中，以粮食为题材的绘画较为少见。我国是农业大国，作为粮食大省的河北，，农村风貌也成为了描绘的对象。经过到农村采风，发现处处皆是美，形成了结合生活的真实的艺术情感。此次创作的花鸟画是以河北的农作物为题材来创作的，在造型上，以小麦，高粱，玉米，棉花这些常见的农作物为素材，就地取材，从形象上就体现了很浓的地域特点,这些本土生长的粮食等作物，与我们的生活息息相关密不可分。在构图上，选用传统的六尺对开的四条屏，结合要描绘的农作物的生长方向，在形式上突出庄稼生长的挺拔感。在笔墨技巧上，突破传统的工笔花鸟画的画法，融入写意的方法，又结合了西方的水彩画中的画法，用鲜艳明亮的色彩对比，形成了不一样的表现形式。在描绘颗颗成熟的粮食的过程中，用绚烂的金黄色表达了对秋的特殊的情感，有成熟，有丰收，有期待，也抒发了作为土生土长的河北人对于养育我们的这片土地浓浓的爱意和对农民朴实的情感的致敬。
[Abstract]:Chinese flower-and-bird paintings have a long history, dating back to the Neolithic pottery art, bronze objects of Yin and Zhou dynasties, and stone sculptures in the Han Dynasty. Flowers, birds, animals, fish and insects and other diverse patterns often appear in many ancient handicrafts. These artistic forms are produced under the action of aesthetic consciousness. However, these can not be called flower and bird painting, because it is not a separate painting art. Until the Tang Dynasty, due to the economic development, political stability, cultural and artistic prosperity, flowers and birds painting after the landscape also independent, as a special painting and set up. The traditional flower and bird paintings mostly take flowers, animals, birds, weeds and insects as the main performance objects. The modern and contemporary flower and bird paintings have a great continuation and development in the selection of themes. With the rapid pace of life, from the ancient farming as the main productive forces of life style to the modern digital science and technology life style has undergone earth-shaking changes, the creation of flowers and birds painting is naturally affected by these factors. However, flower-and-bird painting has experienced thousands of years of inheritance, in composition and topic selection has been very mature, now in the creation of flowers and birds painting in the subject matter innovation is very difficult. In the contemporary flower and bird painting creation, the painting with grain as the subject matter is relatively rare. China is a big agricultural country, as a big grain province of Hebei, the rural landscape has also become the object of description. Through rural mining, found everywhere is beautiful, formed the real artistic feelings combined with life. The flower-and-bird paintings were created on the basis of the crops in Hebei Province. In the modelling, the common crops such as wheat, sorghum, corn, and cotton were used as materials to draw materials from local sources, and the image reflected a very strong regional characteristic. These native crops, such as food, are inextricably linked to our lives. In the composition, the traditional four screens with six feet apart, combined with the growing direction of the crops to be described, give prominence to the tall and straight sense of crop growth in form. In the technique of brush and ink, it breaks through the traditional painting method of flower-and-bird painting, integrates the method of freehand brushwork, and combines the painting method of western watercolor painting, and forms a different form of expression with bright and bright color contrast. In the process of depicting a mature grain, we express our special feelings for autumn with brilliant golden color. We have maturity, harvest and expectation. Also expressed as a native Hebei people to raise our land of love and homage to the simple feelings of farmers.
【学位授予单位】：河北科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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