从《韩熙载夜宴图》看传统绘画空间的意象性

发布时间：2018-05-07 00:19

本文选题：韩熙载夜宴图 + 传统绘画　；参考：《山东大学》2014年硕士论文

【摘要】：中国传统绘画有着悠久的历史,经过数千年的发展已经形成了具有浓郁民族特色的绘画艺术语言。早在南朝齐梁之际,画家兼理论家谢赫就提出“六法论”之——“经营位置”,位置须经之营之,或者说绘画构图之前须经过深思熟虑,做到心中有画,准确的安排画中每个人或物的位置,这是中国古代绘画最为深刻的见解。六法作为中国绘画理论中最早,最基本的美学指导原则,在绘画史上占据非常重要的地位,也成为后世论画者大加推崇的准则。空间的意象性正是对经营位置更高层次的诠释与写照。所谓意象,是指作者将现实生活中的事件进行主观臆想所呈现出的形象构架。意象性空间是在反映客观真实性的基础上,从更深的层次表达作者的精神实质。本文首先通过回顾中国传统绘画中意象性空间的起源与发展历程,让人们对意象性空间有一个大致的了解,并探讨其在中国传统绘画中的实践价值。其次,将五代南唐顾闳中的作品《韩熙载夜宴图》作为切入点,并分析创作时的历史背景,重点讲述其在创作《韩熙载夜宴图》时具体的意象性空间表现形式,结合绘画领域的不同时期的具体情况,阐述了绘画中空间设计变革发展的历程,引出中国传统绘画中蕴藏的意象空间创作理念。最后分析了意象性空间在当代传统绘画中的发展现状,目的是为了理清思路,外敛内张,使空间的意象性在现代中国绘画中得到更好的传承与发展。
[Abstract]:Chinese traditional painting has a long history, after thousands of years of development has formed a rich national characteristics of the art of painting language. As early as the Qi and Liang dynasties in the Southern Dynasty, the painter and theoretician Sheikh Hector put forward the "six laws theory"-"management position", the position must go through the camp, or before painting composition must be carefully thought out, so that there is a picture in mind. It is the most profound view of ancient Chinese painting to accurately arrange the position of each person or thing in the painting. As one of the earliest and most basic aesthetic guiding principles in Chinese painting theory, the six methods occupy a very important position in the history of painting, and also become the criterion highly praised by later generations of painters. The image of space is the interpretation and portrayal of the higher level of management position. The so-called image refers to the image frame presented by the author's subjective conjecture of the events in real life. Image space is to express the author's spiritual essence from a deeper level on the basis of reflecting the objective reality. This paper first reviews the origin and development of image space in traditional Chinese painting, so that people have a general understanding of image space, and discuss its practical value in Chinese traditional painting. Secondly, taking the works of Gu Hong of the Southern Tang Dynasty as the starting point, and analyzing the historical background of the creation, the paper focuses on the concrete image space expression form of the creation of Han Xizai's Night Banquet. Combined with the specific situation of different periods in the field of painting, this paper expounds the course of the transformation and development of space design in painting, and leads to the idea of space creation of image contained in Chinese traditional painting. Finally, the paper analyzes the development of image space in contemporary traditional painting, the purpose is to clear up the ideas, to make space image in modern Chinese painting to get a better inheritance and development.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

【共引文献】