论山水画笔墨概念的历史生成

发布时间：2018-05-07 02:15

本文选题：山水画 + 笔墨　；参考：《东北师范大学》2017年硕士论文

【摘要】：在中国画发展的历史上,山水画的地位是不可替代的。经过了上千年的发展,山水画出现了多种风格和流派,创造了多种绘画语言,作为山水画必不可少的元素,笔墨的创新与发展直接影响画家个人风格的创造,对山水画的笔墨概念的历史生成具有时代意义。笔墨形式语言的发展史就是山水画的发展史。本文从古代山水画的起源、兴盛、衰弱到多样性的发展入手,简单分析了近现代山水画的发展形势,发现山水画笔墨概念与时代发展的关系,进而总结山水画笔墨概念的历史生成。文章共分为四个部分,第一章从山水画的兴起引入,山水画的形成受到人物画和我国古代思想文化的影响成为了独立的画种,为山水画的发展提供可能性,为山水画笔墨概念的生成和创新奠定了基础。第二章以传统山水画笔墨形式语言多样发展为主线,分别讲述唐代、宋元时期、明清时期的大师,以及时代变化对他们的影响。这时期的大师通过对客观自然世界的主观把握与抽象归纳,形成自己独特的绘画风格和笔墨语言。时代变化,画家在社会文化变迁的影响下,对山水画本质语言的表达不仅体现在用笔用墨上,还总结了笔墨语言的结构规律,促进了山水画笔墨概念的生成。他们的作品不仅有高超的绘画技巧还带有不同的时代特征。第三章以近现代山水画笔墨多样性发展为主线,通过对黄宾虹、陆俨少、李可染、张大千、石鲁、贾又福的分析,展示了这个时代的画家笔墨的包容性和自我转化的价值,显示了笔墨语言探索领域的广阔空间,开启了现代山水画的大门。在这一时期的山水画语言的多样性受到很多因素的影响,如创新意识的提升、西方绘画的影响、自然景观变化、审美标准等。让绘画语言更加注重表现自我,画家不断寻找与自然相适宜的笔墨形式去体现时代精神,彰显不同时代的笔墨语言特征。最后一章的落脚点在山水画笔墨概念的历史生成上。首先总结了山水画的发展,前人对山水画笔墨概念的论述,然后分析了影响山水画笔墨概念生成的因素。分析了自身因素包括笔墨本身和画面要求。然后是主流文化对山水画的影响,对山水画笔墨概念的生成的影响,推动了山水画的发展,促进文化传承和弘扬民族精神。山水画的发展离不开笔墨概念的形成、笔墨语言的发展,笔墨创新,必将是深入传统,学习传统,体会自然,不断创新,创造经典,成为经典,再成为传统的循序发展过程。
[Abstract]:In the history of the development of Chinese painting, the position of landscape painting is irreplaceable. After thousands of years of development, landscape painting has emerged a variety of styles and schools, created a variety of painting languages, as an essential element of landscape painting, the innovation and development of ink and pen directly affect the creation of individual styles of painters. The historical generation of the concept of landscape painting is of great significance. The history of formal language is the history of landscape painting. Starting from the origin, prosperity, decline to diversity of ancient landscape painting, this paper briefly analyzes the development situation of modern landscape painting, and finds out the relationship between the concept of landscape painting and the development of the times. And then sum up the historical generation of the concept of landscape painting pen and ink. The article is divided into four parts. The first chapter is introduced from the rise of landscape painting. The formation of landscape painting is influenced by figure painting and ancient Chinese ideology and culture, which provides the possibility for the development of landscape painting. It lays a foundation for the creation and innovation of the concept of landscape painting. The second chapter focuses on the development of traditional landscape painting, including the masters of the Tang, Song and Yuan dynasties, the Ming and Qing dynasties, and the influence of the times on them. Through subjective grasp and abstract induction of the objective natural world, the master of this period formed his own unique painting style and brush and ink language. Under the influence of social and cultural changes, the expression of the essential language of landscape painting is not only reflected in the use of ink, but also summed up the structure of the brush and ink language, promoting the creation of the concept of landscape painting. Their works not only have superb painting skills, but also with different characteristics of the times. The third chapter takes the development of modern landscape painting as the main line, through the analysis of Huang Binhong, Lu Yanshao, Li Keran, Zhang Daqian, Shi Lu, Jia Youfu, it shows the value of inclusive and self-transformation of painters in this era. It shows the broad space in the field of the exploration of pen and ink language and opens the door of modern landscape painting. In this period, the diversity of landscape painting language is influenced by many factors, such as the promotion of innovation consciousness, the influence of western painting, the change of natural landscape, the aesthetic standard and so on. Let the painting language pay more attention to the expression of self, the painters are constantly looking for the appropriate brush and ink form with nature to reflect the spirit of the times, to highlight the characteristics of the different times of brush and ink language. The last chapter is based on the historical formation of the concept of landscape painting and ink painting. Firstly, it summarizes the development of landscape painting, discusses the concept of landscape painting pen and ink, and then analyzes the factors that affect the formation of landscape painting pen and ink concept. Analysis of its own factors, including pen and ink itself and screen requirements. Secondly, the influence of mainstream culture on landscape painting and the formation of the concept of landscape painting, promote the development of landscape painting, promote the cultural heritage and carry forward the national spirit. The development of landscape painting can not be separated from the formation of the concept of pen and ink, the development of the language of pen and ink, and the innovation of pen and ink, which is bound to be the deepening of tradition, the study of tradition, the understanding of nature, the constant innovation, the creation of classics, the becoming of classics, and the process of traditional sequential development.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】