当代工笔花鸟画对宋代写实之风的继承和发展
发布时间:2018-05-07 02:33
本文选题:宋代绘画 + 写实性绘画 ; 参考:《西安美术学院》2013年硕士论文
【摘要】:工笔花鸟画是我国传统绘画中的一个重要类型。其在唐代独立成为一门画种,经过五代的发展,到宋代达到艺术的巅峰。宋代之后工笔花鸟画虽然陷入了发展的低谷,但是其作为一种创作形式并没有消失,因而在二十世纪初随着历史背景的改变,又重新得以复兴。如今在全球化的时代背景下,当代工笔花鸟画在中西文化产生的频繁碰撞和融合中,其创作在继承了宋代工笔花鸟画写实风格的基础上也呈现出多样化的艺术形式。当代工笔花鸟画在对宋代工笔花鸟画的艺术风格进行继承和发展的同时,由于时空背景的割裂,画家在创作时也存在着一些困惑和问题。 近些年,国内外众多学者都在绘画的写实性,,构图方面的研究与创新,以及对传统色彩继承与发展,材料的创新等方面做了大量的研究工作,但是当代工笔花鸟画的发展更加离不开本国传统绘画的继承,因此,本文在前人研究成果的基础上,运用图像学、历史学、形式分析等相关研究方法,从对宋代工笔花鸟画写实风格和当代工笔花鸟画发展现状的研究入手,通过对宋代写实风格形成过程、特征及其形成原因进行发掘,进而研究当代工笔花鸟画对宋代写实之风的继承和发展,探讨当代工笔花鸟画继承和发展中存在的问题,最后提出笔者对当代工笔画的思考。
[Abstract]:Meticulous flower and bird painting is an important type of Chinese traditional painting. It became an independent painting in the Tang Dynasty. After the development of the Five Dynasties, it reached the peak of the Song Dynasty. After the Song Dynasty, the painting and bird painting was in a low development Valley, but it did not disappear as a form of creation, so it was back in the early twentieth Century with the history back. In the background of the era of globalization, the contemporary works of flower and bird painting in the frequent collision and integration of Chinese and Western culture, whose creation also presents a variety of artistic forms on the basis of inheriting the realistic style of the painting and bird painting in the Song Dynasty. At the same time, because of the separation of time and space, painters also have some confusion and problems in their creation.
In recent years, many scholars both at home and abroad have done a lot of research and innovation in the realism and composition of painting, as well as the inheritance and development of traditional colors, and the innovation of materials. However, the development of Contemporary Meticulous flower and bird painting can not be separated from the inheritance of traditional Chinese painting. Therefore, this article is based on the basis of previous research results. On the basis of the research methods of iconography, history and form analysis, this paper starts with the study of the realistic style of the painting and bird painting in the Song Dynasty and the present situation of the development of contemporary paints and birds, through the exploration of the forming process of the realistic style of the Song Dynasty, the characteristics and the reasons for its formation, and then studying the inheritance of the realistic style of the contemporary works of flowers and birds in the Song Dynasty and the inheritance of the style of the Song Dynasty. To explore the problems existing in the inheritance and development of contemporary fine brushwork flower and bird painting, and finally put forward the author's Thoughts on contemporary fine brushwork.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
【参考文献】
相关博士学位论文 前1条
1 宋晓霞;工笔画的传统与现代发展研究[D];中央美术学院;2008年
本文编号:1855024
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