周思聪的艺术实践研究

发布时间：2018-05-08 11:43

本文选题：周思聪 + 艺术实践　；参考：《河南大学》2013年硕士论文

【摘要】：本文主要通过探讨艺术家周思聪先生艺术创作的时代背景和梳理她本人的艺术实践，对周思聪绘画实践的艺术语言和创作母题的流变做了系统分析。通过研究得出，周思聪是成长在现实主义环境下的艺术家，改革开放后她勇于创新、锐意进取，最终突破了现实主义艺术经验的束缚，从中国传统艺术母题中找到了自己的艺术母题和艺术语言。作为生在旧社会长在红旗下的一代人，周思聪自小受到的就是社会主义现实主义的艺术教育，这一点很不同于他的老师蒋兆和那一代艺术家，那一代艺术家是开创中国绘画新面貌的一代人，他们不仅有开阔的国际视野同时也有深厚的中国古典文化积淀。而周思聪这一代人接受的就是以徐悲鸿为首的艺术家建立的社会主义现实主义艺术体系，从解放区时期至今，这种现实主义艺术系统一直在中国艺术教育中扮演着极其重要的角色，这种影响在周思聪一代的艺术家身上显得特别明显。所以周思聪在1979年以前的作品都显现出现实主义国画的语言特征。后来改革开放政策为艺术界带来了自由创作的声音，周思聪开始尝试不同的艺术语言来延续以往的艺术母题，这一时期的代表作品是《矿工图》，她表现出脱离现实主义语言的迫切心理。之后周思聪把创作的母体转移到少数民族彝族女子身上，，这在主题上进一步脱离了社会主义现实主义的影响，这个时期她意识到创作自由的重要性，同时也感受到了自由创作、独立创作对一个艺术家的重要性，这种对艺术坚持不懈的追求使周思聪借助中国艺术的精神找到了自我灵魂栖息的场所，进而创作了“荷塘系列”，这一系列创作表现了周思聪淡薄、恬淡的人生态度。周思聪的艺术经历在中国近现代美术史上是很有研究价值的个案，她的艺术探索和中国艺术界的整个经历相辅相成，她晚期的艺术探索甚至对中国艺术的演化起到了探险问路的作用。时下中国经济的发展为文化艺术的奋起提供了经济基础，有望通过研究周思聪的艺术人生，总结中国的艺术经验为建立中国艺术的当代身份提供可以借鉴的地方。
[Abstract]:This paper mainly discusses the background of artistic creation of artist Zhou Sicong and combs her own art practice, and makes a systematic analysis of the artistic language and the evolution of creation motif of the painting practice of Zhou Sicong. Through research, Zhou Sicong is an artist who grew up in a realistic environment. After the reform and opening up, she was bold in innovation and enterprising, and finally broke through the shackles of realistic artistic experience. From the Chinese traditional art motif to find their own art motif and artistic language. As a generation born under the red flag in the old society, Zhou Sicong received art education of socialist realism since his childhood, which is very different from the artist generation of his teacher Jiang Zhaohe. That generation of artists was the one who created a new look in Chinese painting. They not only had a broad international perspective, but also had a deep accumulation of Chinese classical culture. What Zhou Sicong's generation accepts is the art system of socialist realism established by artists headed by Xu Beihong. From the period of the liberated areas to the present, This realistic art system has always played an extremely important role in Chinese art education, and this kind of influence is particularly obvious to Zhou Sicong's generation of artists. So Zhou Sicong's works before 1979 showed the linguistic features of realistic Chinese painting. Later, the reform and opening up policy brought free creative voices to the art community. Zhou Sicong began to try different artistic languages to continue the old art motif. The representative work of this period is Miner's Picture, she shows the urgent psychology that deviates from the realism language. Zhou Sicong later transferred the creation of the mother body to the minority Yi women, which further separated from the influence of socialist realism on the theme. During this period, she realized the importance of the freedom of creation and also felt the freedom to create. The importance of independent creation to an artist, this persevering pursuit of art, led Zhou Sicong to find a place where his soul perched with the spirit of Chinese art, and thus created the "Lotus Pond Series." This series of creation shows Zhou Sicong's weak and tranquil attitude towards life. Zhou Sicong's artistic experience is a case of great research value in Chinese modern art history. Her artistic exploration and the whole experience of Chinese art circles complement each other. Her later artistic exploration even played an exploratory role in the evolution of Chinese art. The development of Chinese economy nowadays provides the economic foundation for the rise of culture and art. It is hoped that by studying Zhou Sicong's artistic life and summing up China's artistic experience, it can be used for reference to establish the contemporary identity of Chinese art.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J203

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